Simon Gronowski and Maria Baumeister at “Transport Z” canvases | Open Memory, May 8, 2010, Cologne
Open Memory in Cologne (Köln) , Germany, May 8, 2010. Photo at the opening of the Open Memory installation with Simon Gronowski (survivor Transport XX to Auschwitz) together with Maria Baumeister (Cologne Initiative ‘Die Bahn erinnern’) and, seen from behind, Gitta R. (Lovara group of Roma) in front of one of the canvases with photographs and silhouettes of 351 Sinti and Roma from Northern France and Belgium, deported with “Transport Z” in January 1944 from Kazerne Dossin in Mechelen, Belgium to the Auschwitz-Birkenau extermination camp.
Edited image (anonymous photographer) selected from web gallery photos by Bahn erinnern , and S. Grollmuss at the Open Memory site open-memory.info – retrieved on Apr 13 , 2017.
Citation info : Visit Transport Z | 20240528 | Settela•Com | ISSN 2949-9313 | TakeNode 85faa3e6-5168-4909-9c02-fd233fa4a1bd
Open Memory , Cologne, May 2010. Transport XX (left) and Transport Z (right) in front of the with Cologne Cathedral. Still : Open Memory | Miracles Docs #3 | Miracles•Media | 20240523
From May 8th to May 24th, 2010, the memorial installation “Open Memory” was on display in a prominent location in Köln (Cologne, Germany) — in front of the Hohenzollern Bridge, at the left bank of the Rhine river, parallel to the railway tracks of the Cologne Central Station (Köln Hauptbahnhof), with the Cologne Cathedral (Kölner Dom) in the background.
It consisted of 26 large canvases on which portraits of more than 1,500 people were depicted. This open-air exhibition was intended to commemorate three events that occurred during this period: the end of the Second World War in Europe on May 8th and 9th, 1945, the 70th anniversary of the attack by the German Wehrmacht on the Benelux countries and France, and the 70th anniversary of the deportation of the Sinti and Roma from Cologne and the Rhineland (Western Germany).
The Museum La Coupole had created six canvases with photographs or silhouettes of 351 Sinti and Roma from Northern France and Belgium, deported with “Transport Z” in January 1944 from Kazerne Dossin in Mechelen, Belgium to the Auschwitz-Birkenau extermination camp.
On 20 other canvases were the portraits of 1,200 Jewish people deported with “Transport XX” in April 1943 from Kazerne Dossin in Mechelen to Auschwitz. This exhibition was created by the Jewish Deportation and Resistance Museum (Kazerne Dossin) in Mechelen. “Transport XX” is the only deportation train in Europe that was stopped by a resistance group.
The exhibition lined the route Roma and Sinti from Köln had to take from May 1940 en route across the Rhine via the Hohenzollern Bridge to the Cologne Fair (Köln Messe) transit camp for deportation to the extermination camps. The route was marked May 6, 1990, by the artist Gunter Demnig (later known for his Stolperstein project) by printing the writing “May 1940 – 1000 Sinti and Roma” on the streets in Cologne, using a wheel for painting with white paint.
The Open Memory installation was presented by : the Jewish Deportation and Resistance Museum (Kazerne Dossin) in Mechelen, Belgium • La Coupole – History Centre in Wizernes, France • NS Documentation Center Cologne • AK Memorial Centers NRW • Yavne Memorial and Educational Center • EL-DE-Haus Cologne.
Film by : Michel van der Burg, thanks to an amateur (2010) slide presentation by A. Lototsky
Citation info : Open Memory | 20240523 | Settela•Com | ISSN 2949-9313 | TakeNode 4e398109-d461-4a41-84d7-8d74756c82d8
First Stolperstein. Installed on 16 Dec 1992 in front of the City Hall in Cologne , Germany.
Over the past 30 years the team of German artist Gunter Demnig installed over 100,000 Stumbling Stones – ‘Stolpersteine’ – across 26 countries in Europe – the world’s largest memorial.
Demnig’s Stolpersteine are small, cobblestone-sized brass memorials for the victims of National Socialism. Set into the pavement of sidewalks in front of the buildings where Nazi victims once lived or worked, they call attention both to the individual victim and the scope of the Nazi war crimes.
The very first Stolperstein, was installed on 16 December 1992 in front of Cologne City Hall , with Heinrich Himmler’s order for the initiation of deportations of all Roma (Gypsies) :
„Auf Befehl des Reichsführers SS vom 16.12.42 – Tgb. Nr. I 2652/42 Ad./RF/V. – sind Zigeunermischlinge, Rom-Zigeuner und nicht deutschblütige Angehörige zigeunerischer Sippen balkanischer Herkunft nach bestimmten Richtlinien auszuwählen und in einer Aktion von wenigen Wochen in ein Konzentrationslager einzuweisen. Dieser Personenkreis wird im nachstehenden kurz als ‚zigeunerische Personen‘ bezeichnet. Die Einweisung erfolgt ohne Rücksicht auf den Mischlingsgrad familienweise in das Konzentrationslager (Zigeunerlager) Auschwitz.“
Notes
Photo : First Stolperstein at the Cologne City Hall, Germany. Photo Jan. 1, 2008, by Willy Horsch, CC-BY .
Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949-9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
Survival | 20230528 | Settela•Com | Together man and woman are equally essential by nature to man…humans, survival. Institutional discrimination against women is unnatural, intended to make discrimination the norm for the establishment. Standing up for equal rights for women, obviously, is the pre-eminently low-threshold means anywhere in the world to restore balance.
Hello , if you did sent a message over the last week using the contact form at this site , it did not arrive (with no warning). Reason : an email address was disabled about a week ago – not knowing that address was also being used for these contact forms here.
The contact form settings have been restored and messaging is now active again 😉
Samudaripen – Genocide of the Gypsies – Claire Auzias
The French author, historian and libertarian, Claire Auzias researches social movements, women’s history and Roma’s history (1). She has written several works on the Roma’s history in the last 20 years. Samudaripen, the Genocide of the Gypsies, first appeared in 1999/2000 (2,3), and is now followed by the 3rd edition (4) published by L’Esprit Frappeur (Paris).
In her book Samudaripen, Claire Auzias sheds light on this poorly documented genocide in the III Reich , Eastern Europe, and Western Europe. This entirely revised 3rd edition now includes two new chapters — one on Switzerland by Claire Auzias, and one on The Netherlands by Erik Van Den Muijzenberg. Claire Auzias , in her foreword (5) : “…the patient discovery of the identity of an anonymous icon of the deportation, in the guise of a Dutch Sinti girl, made the chapter on the Netherlands obligatory, at least for those of the French gypsies who do not read foreign languages.”
2 – Claire Auzias interview (2009) “Samudaripen” – Un entretien avec Claire Auzias, auteure du livre “Samudaripen, le génocide des Tziganes” aux éditions L’Esprit frappeur. Réalisé fin octobre 2009 par Bruno Boudiguet pour Télé Liberté / Le Cobaye international . Dailymotion URL https://dai.ly/xb9lah
5 – Claire Auzias (2022) Samudaripen, le génocide des Tsiganes (Samudaripen, the Genocide of the Gypsies), Paris, L’Esprit Frappeur (3nd edition 2022) ISBN 978-2-85103-051-1 | Avant Propos : “…la découverte patiente de l’identité d’une icône anonyme de la déportation, sous les traits d’une fillette sinti hollandaise, rendait obligatoire le chapitre sur les Pays-Bas, a minima à l’attention de ceux des Tsiganes français qui ne lisent pas les langues étrangères.”
License info :
Samudaripen – Genocide of the Gypsies – Claire Auzias | 20221210 | Settela•Com | ISSN 2949-9313
