Dutch cinema news reel from November 1945 reporting on Palestine soldiers of the Jewish Brigade, stationed in the Dutch port city of IJmuiden, and taking a course at the municipal fishing school there, where they learned to navigate and fish, practicing at the Dutch IJsselmeer lake, in order to settle in Palestine as fishermen after completing their service.
Notes
After the German surrender in 1945, soldiers of the Jewish Brigade, the “Jewish Fighting Unit”, a unit of around 5,000 Jewish volunteers from Mandatory Palestine serving in the British Army, were stationed in northwestern Europe, including the Netherlands.
Members of the Jewish Brigade in the Dutch port town IJmuiden (port to Amsterdam) and its surroundings were involved in: guarding German POWs , displaced persons support, and facilitating Jewish refugees’ clandestine departure to Palestine. Seafaring skills were directly relevant to both commercial livelihoods and the clandestine immigration (Aliyah Bet) efforts by sea. The British disbanded the brigade in July 1946.
Credits
Source: Dutch cinema news Polygoon-Profilti (Producer | Nov 1945) courtesy of Netherlands Institute for Sound and Vision (Open Images).
Citation info : Jewish Brigade 1945 • Dutch Seamanship Training | 20250615 | Michel van der Burg | Miracles•Media | Settela•Com | ISSN 2949-9313 | TakeNode a24a6599-dd79-47e3-a106-51289a480995 | URL https://settela.com/2025/06/15/
New evidence of atrocities committed by Nazis on British soil is revealed in the documentary – The Ghosts of Alderney – Hitler’s Island Slaves – to be released by Wild Dog Films during 2025 (1).
The film premiered at a London, UK, press screening earlier this week (2-5).
Ghosts of Alderney is a documentary on the artist Piers Secunda’s research into the use of slave labour on the British Channel island Alderney during World War II. In 1941, Hitler’s forces took over the island. What followed was a brutal occupation.
Workers from across Nazi-occupied Europe were forced to build Hitler’s military defences on the Channel Islands.
Alderney had the worst conditions—prisoners were beaten, starved, shot, and buried in mass graves — a scene compared to Belsen concentration camp in later reports.
The film reveals new evidence of crimes on the island, including firing squads, mass killings, and contests between Nazi officers using prisoners for target practice, aiming repeatedly at body parts, until they died.
It also explores how the British government avoided prosecuting those responsible after the war.
Experts in the film suggest that this was part of a cover-up.
Historian Madeleine Bunting calls it “the biggest mass murder on British soil,” yet many facts are still unclear.
A recent UK inquiry confirmed over 1,100 deaths, though more are missing.
Through testimony and research, the film tries to tell the personal stories behind the numbers.
Secunda says, “These were real people, not just names on a list.”
Ghosts of Alderney: Hitler’s Island Slaves, , a production from Wild Dog, a British independent company, will be released later this year.
April 19, 1945 – today 80 years ago – the Buchenwald band ‘Rhythmus’ gave a jazz concert in the evening in the cinema barracks of the Nazi concentration camp Buchenwald for the survivors, their comrades, and the US soldiers that liberated the camp.
Czech political prisoner Jiří Žák started the Rhythmus jazz orchestra of inmates of the Buchenwald camp. ‘Woke’ music — ‘Entartete’ art , degenerated art, officially in Nazi Germany, the 3rd Reich. The Nazis enthusiastically applauded the “outside” forbidden jazz in the camp, and various SS people took part in the concerts given between August 1943 and December 1944 by this official camp band Rhythmus (1,2,3).
Jiří Žák | 20250419 | Family Archive Goldscheider | Miracles•Media
Jiří Žák sabotaged the transports, as the trusted administrator of the Buchenwald transport department, by setting up a “Transport Reserve C” commando of almost 100 prisoners, thus freed from hard labor, and saved numerous Jews from deportation and death march shortly before liberation of the camp.
The French singer Robert Widerman listed on the April 19,1945 Rhythmus program , was one of these Jewish prisoners saved by Jiří Žák. Band leader Yves Darriet (4) came up with the nickname ‘Clary’ for Robert (from the movie Les Adventures de Désirée Clary). Robert Widerman would become a Hollywood legend, known as Robert Clary (5).
From Buchenwald to Hollywood, The Robert Clary Story • Extended Version (2025)
From Buchenwald to Hollywood, The Robert Clary Story : The Documentary (Extended Version) • 20250419 • A film by Karen and Richard Bloom and Michel van der Burg
Robert Clary’s story is told in our documentary : From Buchenwald to Hollywood – the Story of Robert Clary • A film by Karen and Richard Bloom and Michel van der Burg. The original film premiered in 2018 at the Fort Lauderdale International Film Festival (FLIFF) in Hollywood (Florida, USA) , and after screening at other film festivals, premiered online March 1, 2022 on the occasion of Robert’s 96th birthday (6,7).
We today present the 2025 extended version of the documentary (8) , now featuring also Robert Clary’s desire that Jiri Zák be nominated as a Righteous Among the Nations at Yad Vashem.
8. From Buchenwald to Hollywood, The Robert Clary Story : The Documentary (Extended Version) • 20250419 • A film by Karen and Richard Bloom and Michel van der Burg . URL https://youtu.be/xwECq2KPdz4
Almost certainly, three Jewish people have been recognized in the unique Westerbork film from 1944 (1). This time it concerns the 9-year-old boy Israël Wijnschenk, his father Max Wijnschenk, and his grandmother Betje Kokernoot-van Furth, who all lived in Utrecht (Holland).
Last week, the Dutch public broadcaster NOS (2) reported the news from the Utrecht (Dutch) news site Nieuws030 (3) that it is very likely that three people were recognized again in this film made by the Jewish prisoner and filmmaker Rudolf Breslauer showing the deportation of Jews, Roma and Sinti by train in Camp Westerbork on May 19, 1944.
Image researcher Koen Hulsbos — who previously identified an Amsterdam couple in this deportation train (4) — thought he recognized the young Israël Wijnschenk, a pupil at the time of the Joodse (Jewish) School Utrecht, and presented this to Victor Frederik, researcher of the Joodse School (5,6). The boy, the man, and the woman seem to belong together, and were recognized from family photos, also by family members.
It is certain that Max and his wife Chel (not in the images) returned to Utrecht after the war, their children Israël and his sister Kitty were murdered. Grandma Betje was also gassed in Auschwitz.
A portrait of Israël Wijnschenk is shown at the site of Joods Monument (7).
According to the transport list, there were two other children in that wagon, Joseph Beugeltas (11 years old) and Manfred Studzinsky (7 years old). Joseph Beugeltas appeared to have blond hair, and could not have been it (6). To be completely sure, the researchers are still looking for a photo of Manfred Studzinsky, for comparison…
The Dutch national broadcaster NOS (1) and the local RTV Drenthe (2) reported this morning (23 Dec 2024) that 2 more people have been recognized in the Westerbork film.
It is the Amsterdam couple Marcus Pels and Hendrika Brandon. They were identified by the image researcher Koen Hulsbos – volunteer worker at the Behind the Star project of the NIOD Institute for War, Holocaust and Genocide Studies .
The Jewish photographer and filmmaker Rudolf Breslauer, while a prisoner in the Westerbork transit camp in the Netherlands, was commissioned by camp commander Albert Gemmeker to make film recordings for the Westerbork film in the spring of 1944, featuring images of a deportation train.
The NOS broadcast referred to images in the first published Westerbork film (3) :
The film can be viewed in its entirety on YouTube. After just under 5 minutes 🔗 a man with a hat can be seen looking into the camera with a smile, and next to him a woman with black, slightly wavy hair can be seen from behind. The same couple appears again at 6 minutes 🔗. It turned out to be the Amsterdam couple Marcus Pels and Hendrika Brandon.
Pels & Brandon Clip 1 & 2
Also available on YouTube is the more recent second Westerborkfilm (4). This 2021 edition has the recently found original camera rolls of the deportation transport (Reel E198), with higher quality images of the couple.
Hulsbos had already had photos of Marcus Pels and Hendrika Brandon in his collection of images of prisoners who were transported on that day – May 19, 1944 – when Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz.
“I’ve seen the film many times, but at one point I thought, ‘Hey, this couple is on screen twice.’ I had never really noticed that before,” says Hulsbos.
Hulsbos then compared the film footage with his photos. “And then I thought: that’s it,” says the amateur film historian.
Marcus Pels was murdered immediately after arriving in Auschwitz. Hendrika Brandon survived the war, as did their daughter and son, who were in hiding with a foster family. Katy (Keetje, 86 years old) and Philip (83) are still alive and live in Canada. They were shown the film footage and confirmed that they were their parents.
“They don’t remember their father. So to actually see images of him, to see him just walking around alive, there are no words to describe it,” granddaughter Lisa Kaufman said as a family spokesperson. “It was very special to see my grandmother, who I grew up with.”
Anonym | Girl with the headscarf …
In the Westerbork film, Hendrika looks at the woman on the stretcher, who was recognized in the 1990s through her suitcase as Frouwke Kroon, and thus was the key to identifying this transport and thus also to the name of the anonymous girl with the headscarf between the wagon doors – Settela (5,6).
Deportation Breslauer family
Earlier this year it was reported that filmmaker Rudolf Breslauer had also filmed two of his children , Stefan , and Ursula Breslauer in the Westerborkfilm at the farm (7).
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported later in 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Ward Adriaens (Mechelen, Belgium) passed away suddenly on the evening of November 15th, 2024. A wonderful man, a freethinker, author, with a passion for living history, especially the resistance, partisans, in World War II, and the founding director in 1995 of the Jewish Museum of Deportation and Resistance (JMDR) that opened its doors in 1996. In 2012 the JMDR became the Kazerne Dossin museum, with Ward Adriaens as honorary curator. In 2005 Ward Adriaens launched the Give Them a Face archival project. The portraits of all Jewish, Roma and Sinti deportees which passed through the SS-Sammellager Mecheln (Dossin barracks, transit camp, Mechelen) in 1942-1944, were scanned to create the “Give Them a Face” portrait collection. All around 20,000 photos in the Give Them a Face portrait collection are now part of the commemoration wall – a permanent exhibition – at the Kazerne Dossin museum.
In 2009 , I first encountered the Transport XX installation in Brussels, and met Ward Adriaens’ team of the Give Them a Face project in the Jewish Museum of Deportation and Resistance in Mechelen, Belgium (1,2).
Next , Ward Adriaens participated in our 2012 documentary Transport XX to Auschwitz (3).
Recently, May 2024, Ward Adriaens’ opening speech at the TRANSPORT XX installation in Mechelen in 2007, was posted in the ‘Miracles’ project at Miracles•Media (4).
Quote
“…Let us clearly understand that this is the fundamental basis of racism: persecuted because we have a mother. We all have parents and many amongst us have children. In order to protect them it is essential that we do not give an inch to racism. Everyone of us will come under threat should the policy makers be influenced by racism…”
3. Ward Adriaens’ interview by the dutch reporters Piet de Blaauw & Aart Zeeman (Dutch NCRV-Netwerk broadcast, 13 April 2005, NL1) from the documentary ‘Transport XX to Auschwitz’ – a film by Karen Lynne & Richard Bloom and Michel van der Burg • In : Documentary film “Transport XX to Auschwitz” • Miracles•Media • 20130419 • URL (retrieved 20241119) https://michelvanderburg.com/2013/04/19/transport-xx-to-auschwitz/
Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949-9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
