Eight drawings by Jim (Haïm) Kaliski, 1995-1999, indian ink on paper. Filmed April 19, 2023 in the Jewish Museum of Belgium, in Brussels, at the exhibition ‘236 – Land(es)capes from the 20th convoy’. 1) Pogrom Antwerp, 14 April 1941
2) The Summons for Mechelen “The Trap”
3) Mechelen Waiting Room of Death , 1942-1944
4) The Time of Darkness, 1942-1944
5) Razzia Rue Bara , Anderlecht (Brussels), 3 Sep 1942
6) Attack 20th Convoy, 19 April 1943
7) At the road ‘Chaussée d’Etterbeek’ (Brussels), Feb. 1944
8) Haïm from Etterbeek, Mar 1944
License info : Jim Kaliski Transport XX | 20230426 | Miracles•Media | TakeNode d3615ee4-04b9-456e-aa73-1b7056b15619
Video report of the preview 19 Jan 2023 presented by photographer Jo Struyven of photo exhibition ‘236 — Land(es)capes from the 20th Convoy’. Photo exhibition of works by Jo Struyven and Luc Tuymans in the Jewish Museum of Belgium, Brussels, Belgium | January 20 – August 14, 2023. License info : 236 Land(es)capes 20th convoy | 20230126 | Michel van der Burg | Miracles•Media | TakeNode 428839bb-7165-4771-a490-27158928ec25
On April 19, 1943, the 20th transport left the Mechelen transit camp to deport 1,631 Jews to Auschwitz. Thanks to resistance actions, both inside and outside the wagons, 236 of these deportees managed to jump from the train that would lead them to destruction.
Photographer Jo Struyven revisits this unique act of resistance in Western Europe during the Nazi regime and shows us the landscapes in which this little-known story took place.
From 20 January 2023, the Jewish Museum of Belgium, in partnership with the Auschwitz Foundation, presents the exhibition entitled ‘ 236, Land(es)capes from the 20th Convoy ‘. It is set up in the museum’s project space and offers an artistic look at an exceptional and forgotten event in the Second World War.
The 20th convoy
At 10 p.m. on April 19, 1943, the 20th convoy departed from the Kazerne Dossin transit camp in Mechelen with 1,631 Jewish deportees in cattle cars, heading for Auschwitz. Thanks to resistance actions, both inside the wagons and from outside, 236 of these deportees managed to jump from that train, that was leading them to extermination. An unique event in Europe under the Nazi administration.
Jo Struyven, photographer
The work of the Belgian photographer Jo Struyven (°Sint-Truiden, 1961) takes us back to these acts of resistance – commemorating the 80th anniversary in 2023 – and gives us a glimpse of the landscapes in which this striking story took place. Taking the perspective of those who jumped off that train, an act for which many of them paid with their lives, Struyven creates a contemporary ‘memorial’ with 19 large ‘nocturnal’ black and white images, and one colour print.
Jo Struyven :
The 20th convoy, heading for the unspeakable “Auschwitz”, crossed the area where I grew up, barely 50 meters from my childhood bedroom — I found out 2 years ago after meeting Simon Gronowski. Ever since, I imagine the distress of the deportees. The destination was unknown to them. Some, sensing the worst, tried to escape it. I wanted to give an account of this border between life and death, between resignation and the impossibility of choosing, and the freedom regained with resistance to the oppressor’s plans.
Works presented by Jo Struyven
Land(es)capes from the 20th Convoy, 2020-2022, 19 black and white prints, 1 color print, 90×60 cm (Private collection – Belgium)
Jo Struyven, Land(es)capes from the 20th convoy 2020-2022, black and white print, 90x 60 cm, Wijchmaal (Private Collection, Belgium)Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Bierbeek (Private Collection, Belgium)Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Borgloon (Private Collection, Belgium)Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Piringen (Private Collection, Belgium)Jo Struyven, Land(es)capes from the 20th Convoy, 2020-2022, black and white print, 90x 60 cm, Botzelaer (Private Collection, Belgium)
Luc Tuymans, visual artist
In dialogue with Jo Struyven’s photographs, two works by Belgian visual artist Luc Tuymans (°Mortsel, 1958) evoke the destruction of the Jews and Roma of Europe. Die Wiedergutmachung (The Reparation) depicts body parts – left the eyes of gypsy children who had been experimented on by the Nazis. … images that in its incompleteness, reflect the inability to represent facts and memory .
Works presented by Luc Tuymans
Luc Tuymans, Our New Quarters, 1986, Oil on canvas, 80,5 x 120 cm (MMK – Germany) (Photo Ben Blackwell, courtesy David Zwirner, New York, London)Luc Tuymans, Die Wiedergutmachung, 1989, Oil on cardboard, mounted on plywood, Oil on canvas; diptych, 36,6 x 43 cm, 39,4 x 51,8 cm, courtesy: Private collection (Photo Studio Luc Tuymans)
Art after the Shoah
“Writing a poem after Auschwitz is barbaric”, wrote German philosopher Theodor W. Adorno in 1949. Through two contemporary perspectives from the visual arts, this exhibition seeks to address this question of the (im)possibility of art after the Shoah in a new way.
Testimonies & Catalogue
This exhibition will be accompanied by a catalogue book edited by Daniel Weyssow and Jo Struyven and published by the Auschwitz Foundation entitled Land(es)capes from the 20th Convoy (press release on April 19, 2023), as well as an educational space presenting the testimonies from interviews and archives of convoy escapees.
Info+ ( & Français | Nederlands)
236 Land(es)capes from the 20th Convoy Jo Struyven / Luc Tuymans Exhibition at the Jewish Museum of Belgium, in Brussels, Belgium 20 January – 14 August 2023 Brussels Website https://www.mjb-jmb.org
Video report : Vernissage ‘236’ Land(es)capes 20th convoy
Thursday January 19th, 2023, the vernissage of the photo exhibition 236 — Land(es)capes from the 20th Convoy was opened with speeches by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels. Next, the Belgian photographer Jo Struyven presented his work — escape landscape photographs glowing in the dark — like being lit by moonlight — as well as paintings contributed by Luc Tuymans in the project space. The exhibition runs from January 20 – August 14, 2023 in the Jewish Museum of Belgium, Brussels, Belgium. Video report (20230120) Michel van der Burg | Miracles•Media .
Jan 20, 2023 – VRT | Kristien Bonneure (Belgian Flemish Broadcast) 20 jan 2023
Tulip Bulbs War Food Holland 1944-1945 (silent film) ~
My mother did not tell me much and no details on her experiences in World War 2, except for the Hongerwinter (“Hunger winter”) – the Dutch famine of 1944–45 – that she had to eat tulip bulbs.
The famine was caused by a German blockade plus the harsh winter blocking alternative water routes, that cut off food and fuel shipments to the western Netherlands were food stocks rapidly ran out in the large cities of The Hague, Rotterdam, and Amsterdam. Tulip bulbs and sugar beets were commonly consumed.
March 25 this year I posted a more detailed ‘biography’ and the silent film ‘Eating Tulip Bulbs’ (20200325) a silent film using photographs captured during this ‘Hunger winter’ 1944-1945 by Menno Huizinga in Holland (mainly in The Hague).
Today I found this Dutch cinema news reel from Polygoon-Profilti published March 1945 with an impression of the daily food ration for the starving population of Holland at the end of the hunger winter. One sees the preparation of tulip bulbs, sugar beets, peas and cabbage soup. Also the use of an emergency stove. Courtesy of Netherlands Institute for Sound and Vision (Open Images).
Tulip Bulbs War Food Holland 1944-1945 | 20201226 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Ashes Pond
An unforgettable moment for me that ‘touching the ash pond’ I filmed in the Auschwitz-Birkenau camp, were I was filming Simon Gronowski and Koenraad Tinel, May 2012, for the upcoming documentary film Miracles.
Into this pond were dumped the ashes of the people, who were murdered (gassed) and burned at the nearby crematorium.
Sharing this moment today for International Holocaust Remembrance Day 2020 to commemorate the 75th anniversary of the liberation of the Auschwitz camps. Courtesy of the Auschwitz-Birkenau State Museum in Oświęcim, Poland. Museum Auschwitz-Birkenau Camp in Poland, May 24th 2012.
Film : Ashes Pond | 20200127 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Memorial to the Sinti and Roma Victims of National Socialism – located between the Reichstag and the Brandenburg Gate in Berlin, Germany – filmed in 2013.
The monument is dedicated to the memory of the estimated 500,000 European Roma and Sinti that were murdered during the Holocaust – called Porajmos or Pharrajimos in the Romani language (“the Devouring” or “Destruction”) – the genocide of the European Sinti and Roma peoples by the German Nazis and their fascist allies ( http://www.romasintigenocide.eu/en/home ).
The memorial by the Israeli artist Dani Karavan consists of a circular pool of water with a triangular stone in the center upon which a fresh flower is placed daily.
At the site you hear the sound, a note of a lonely violin from a composition/sound installation titled “Mare Manuschenge” / “Our People” by Romeo Franz, a Sinto musician, composer and politician in Germany.
Karavan : „dem Klang einer einsamen Geige allein geblieben von der gemordeten Melodie, schwebend im Schmerz“
Romeo Franz:
Romani Rose, the chairman of the Central Council of the Sinti and Roma, called me in 2012 and said he was looking for a violinist who could play just one single note at the ceremony. I tried, but at some point I couldn’t stand this note any longer. Instead I imitated a whistle that Sinti often use to call their children. It’s a sound that each of us recognise, it’s a bit like a mark of identification, a signal. Then I transposed it onto the gypsy minor scale. Shortly before the memorial was completed, I met with Dani Caravan, the Israeli architect who designed the memorial, at the construction site, and he said, “That’s it!” For me, it was possibly the most significant thing I’ve ever achieved in my life.
From : The Handreader’s Tale via https://www.kulturstiftung-des-bundes.de/en/magazine/magazine_26-1/the_handreaders_tale.html
Note
Yesterday – August 4, 2019 – a more subjective short film impression of the memorial was posted see ‘Porajmos Memorial Sinti Roma Europe’ ~ https://settela.com/2019/08/04/porajmos-memorial-sinti-roma-europe/ More information on this memorial also in that 20190804 post.
Film: Mare Manuschenge | Music Roma Memorial Berlin | 20190805 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0
Memorial to the Sinti and Roma Victims of National Socialism, filmed in 2013 in the Tiergarten (close to other Holocaust memorials) in Berlin – between the Reichstag and the Brandenburg Gate, in Germany.
The monument is dedicated to the memory of the estimated 500,000 European Roma and Sinti that were murdered during the Holocaust – called Porajmos or Pharrajimos in the Romani language (“the Devouring” or “Destruction”) – the genocide of the European Sinti and Roma peoples by the German Nazis and their fascist allies ( http://www.romasintigenocide.eu/en/home ).
August 2 is European Roma Holocaust Memorial Day commemorating this genocide of Roma people during World War II. Declared by the European Parliament in 2015 (Resolution 2015/2615), the day marks the anniversary of the extermination of around 3,000 Roma at Auschwitz-Birkenau during the night of 2 August 1944. The so-called Gypsy Camp in the Auschwitz-Birkenau concentration and extermination camp was dissolved – or “liquidated,” as the SS called it.
Settela Steinbach (9) was one of those murdered early August 1944, now 75 years ago.
The memorial (by the Israeli artist Dani Karavan) consists of a circular pool of water with a triangular stone in the center (not shown in this film) upon which a fresh flower is placed daily.
Film: Porajmos Memorial Sinti Roma Europe | 20190804 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0
Poem “Auschwitz” by Santino Spinelli
In a ring around the pond in English and German – and in two Romani dialects on a stone – are the words of the poem “Auschwitz” by Santino Spinelli (artist name Alexian), a Rom from the Abruzzi region of Italy – a musician, poet, teacher, composer and essayist.
Auschwitz (Original)
Muj šukkó, kjá kalé vušt šurde; kwit. Jilo čindó bi dox, bi lav, nikt ruvbé.
Auschwitz (Deutsch)
Eingefallenes Gesicht, erloschene Augen, kalte Lippen. Stille. Ein zerrissenes Herz, ohne Atem, ohne Worte, keine Tränen.
Auschwitz (English)
Pallid face, dead eyes, cold lips. Silence. A broken heart without breath, without words, no tears.
Music “Mare Manuschenge” by Romeo Franz
At the site you faintly hear the sound, a note of a lonely violin from a composition/sound installation titled “Mare Manuschenge” / “Our People” by Romeo Franz, a Sinto musician, composer and politician in Germany.
The sound in this film I posted is mixed from several video recordings there, with the emphasis on the sound from one video of one of the loudspeakers in the surrounding trees.
Settela•Com 