Westerbork Girls – From left to right: Catharina Frank, Hannelore Cahn, Beatrice Lissauer, Ulla Gross, Lotte Heider-Lehmann and Ruth Pagener. (Source : Westerbork Memorial)
The documentary ‘Westerbork Girl’ (2007), directed by Steffie van den Oord, tells the story of Hannelore Cahn (later Eisinger-Cahn), a Jewish woman imprisoned in Camp Westerbork for more than two years during World War II. She performed as a dancer in the camp revue, attracting the attention of many, including camp commander Gemmeker and Jewish camp policeman Hans Eisinger, member of the Jewish Order Service—also known as “the Jewish SS”.
Westerbork Girl (VPRO 2007)
Hannelore had earlier met actor and resistance fighter Rob de Vries, with whom she was close. Rob smuggled her out of Westerbork by disguising himself as a train stoker and taking her to Amsterdam, where she briefly went into hiding. Hans Eisinger manages to track her down and one week after her escape Hannelore voluntarily accompanies him back to the camp…possibly due to loneliness, Rob’s existing relationship, or pressure from the Order Service to prevent others being deported to Auschwitz. Shortly thereafter, Hannelore and Hans get married in Westerbork.
Hannelore survived the war and avoided punishment after her return. The film reconstructs her story through interviews, archival footage, and music, presenting it as one of survival, love, and the difficult choices faced under Nazi persecution.
Hannelore sings and is still intensely sung about by Louis de Wijze, who witnessed her escape and remembered the revue songs from Westerbork: Ich hab es bei Nacht den Sternen erzählt, Ich liebe Dich.
Powerful documentary—this story, with close-ups of this Westerbork Girl, that resonate with me. Beautiful surprise while researching the use of the Westerborkfilm. Review by Michel van der Burg , editor Settela.Com
Citation info : Westerbork Girl • 20250916 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | URL https://settela.com/2025/09/16
RESCUE RUN : Capt. Jake Rogers’ Daring Return to Occupied Europe • John Winn Miller
After escaping the treacherous waters of WWII, Captain Jake Rogers leads his crew on a daring mission across Nazi-occupied Europe to rescue the father of his beloved, entangled in a web of espionage, betrayal, and relentless pursuit.
Review of John Winn Miller’s novel ‘Rescue Run’
John Winn Miller, a veteran of investigative journalism for decades, masterfully weaves historical detail into his World War II novel Rescue Run. The story follows American ship’s captain Jake Rogers, who, after his U.S. Liberty ship carrying war supplies is wrecked in the North Atlantic, first lands in Ireland. He then sets out with a few of his loyal men on a perilous mission to rescue the father of Miriam Maduro, the love of his life, from the Westerbork transit camp in Nazi-occupied Holland.
A gruelling journey follows from Amsterdam across Nazi-occupied Europe to Spain – on foot, by train, and by boat – via a long series of hiding places, historical locations and events, aided by well-known and lesser-known resistance organisations and historical figures, besieged by con men, double agents, gangsters and pursued by a ruthless Dutch bounty hunter.
As a non-native English speaker, I initially struggled a bit with the first few chapters, particularly the maritime terms and rich language used in the sea adventure with the Liberty ship, besides the introduction of the many characters. However, once past those pages, the novel became a true page-turner. The gripping, almost cinematic narrative had me finishing the book in just two or three days, despite also spending some time online searching for even more historical context, for example when Rogers is helped by the Dutch resistance group ‘Groep 2000’ led by Jacoba van Tongeren, and when characters like Etty Hillesum and Audrey Hepburn appear in the story.
Blending Fiction and Nonfiction
I rarely read fiction these days — almost exclusively occupied with non-fiction — but John Miller’s work intrigued me. I was curious to see how he managed to incorporate the reality of Nazi-occupied Europe, and in particular the Westerbork transit camp, into fiction. The result is exceptional. The blend of fiction and nonfiction strengthens the narrative, bringing the past vividly to life. Miller also provides an extensive set of notes at the end of the book, offering in-depth background information on the events and historical figures featured in the story, detailing also what happened to them after the events of the novel.
I especially appreciate how John Winn Miller brings the wartime past to life in Rescue Run, with accuracy and rich detail, from multiple perspectives. His cinematic storytelling draws readers into a narrative that inspires further exploration of this history.
Michel van der Burg, filmmaker, editor of Settela•Com
Notes
Additional Information:
Title:Rescue Run: Capt. Jake Rogers’ Daring Return to Occupied Europe
John Winn Miller is an award-winning investigative reporter, foreign correspondent, editor, publisher, screenwriter, indie movie producer and novelist. | Photo Bancroft Press. | More info at Miller’s website URL https://www.johnwinnmiller.com
John Winn Miller
Though Rescue Run is a sequel to Miller’s first novel, The Hunt for the Peggy C, no prior knowledge of the first book is required. A summary of the prequel is included for new readers or those needing a refresher.
Westerbork Film Frame
This review was prompted by my contribution of a still (image below) from the Westerbork film for Rescue Run’s book jacket , in collaboration with designer Christine Van Bree and author John Winn Miller. John kindly provided me with a link for a free download of the Advance Reader Copy on the BookSirens’ platform. Since I’m documenting the Westerbork film through the online magazine Settela•Com, I happily accepted BookSiren’s invitation to join the review team.
Deportation | 20240225 | Settela•Com | Commander Albert Gemmeker oversees the deportation of Jews, Sinti, and Roma from the Westerbork transit camp May 19, 1944 | Frame 7426 from Deportation Westerbork Film | 20210719 | Settela•Com | ISSN 2949 9313
News
A gripping, almost cinematic narrative that blends fiction and non-fiction . By Michel van der Burg, filmmaker, editor of Settela•Com • RESCUE RUN Reviews. By John Winn Miller (Retrieved 20250606) URL https://www.johnwinnmiller.com/copy-of-readers-favorite
Breslauer films Settela after Degen kids | Excerpt (20220510) from Westerbork Film 🎦 2021 | Michel van der Burg | Settela•Com | ISSN 2949-9313 – Click image for video clip (Link in REF 10).
The original deportation footage of the annotated 2021 Westerbork film (REF 1) provides insight into Breslauer’s way of filming.
Focussing on film roll 2 of the deportation reel it is evident that Breslauer — right after filming the toddlers Marc and Stella Degen (REF 11) in 3rd class carriage I at the front of the train ( 00:16:49 ) — for his next shot ( 00:16:52 ) went all the way to the rear of the train for a close-up of the 9-year-old Settela Steinbach in cattle car number 16 — with Romani and Sinti people bound for Auschwitz (REF 6,12).
Further note that the first shot that day also focusses on a child, here in cattle car #7 with Jewish people (REF 6) bound for Auschwitz (00:20:18 start of roll 4/4 of reel E198).
The 2021 Westerbork film as mentioned in the recently presented Westerborkfilm Introduction (REF 2) is the outcome of a thorough search that started Spring 2019 for all available film cans in the Dutch media archives of Sound & Vision and the EYE Filmmuseum. All restored unique shots using both the camera original film and film copies (duplicates – when no original is known) were used for the new restored Westerbork film compilation made available as ‘display edition’.
Sound & Vision curator Valentine Kuypers reported in her dutch blog 12 May 2021 (REF 3) that a total of 23 film cans were found, including 2 cans with camera-original negative film – a discovery , because before only reels with film duplicates (copies) were known with only a few minutes section of original footage (see below). For the new 2021 Westerbork film “a compilation of unique scenes in the highest quality was made. Eight films from the archives of Sound & Vision and Eye were used for the compilation, consisting of: 16 mm original negative, duplicate negative, duplicate positive and original reversal film. ” [my translation].
Digital restoration with a conservative approach was used to stabilize and reframe the images , deflicker , and remove dust, scratches, and visible splices (REF 4). The display copy for distribution was color graded and adjusted for the correct playback speed.
Examination of the Westerbork Film for annotation showed the film starts with the two newly discovered camera-original reels E325 and E198, resp.
The first reel (E325) has sections of footage shot at various work sites of the Westerbork camp — starting 00:00:29 and ending at 00:14:22 — that can be traced back in the 1986 RVD Westerbork Film duplicates Act 2 and Act 3 , listed with numbers 5 , 17 , 12 , 5, 18, 9, 10, 9, 10, 19, 20 resp. in the post (REF 5) Westerbork Film – full version (RVD). The last scene on this reel E325 – a newly discovered clip of a few seconds – is showing a soldier standing guard at the camp entrance.
Dutch researchers Koert Broersma and Gerard Rossing reported in their new book on the film (REF 6) that the footage on both reels – although original – has been cut — with reel E325 showing 7 splices. I wasn’t able to discover splices, probably because of the digital restoration. The next reel E198, however, with the deportation footage, clearly does show 2 of the 3 spices reported by Broersma and Rossing — these show up as white transitions in this digital display edition around 0:16:22 and 0:18:14 resp. The location of that 3rd splice that is no longer showing in this restored film could be traced with help of the image of that splice published in Broersma and Rossing ‘s book , page 110 (REF 6) – right after Gemmeker looking up , starting 00:20:18 .
Since the splices between the film rolls on this reel could be identified here , the film roll numbers 1 to 4 are specified in the annotations.
The display edition of this deportation footage shows the order of the rolls found on reel E198. For the correct chronological order clearly rolls 1 and 4 have to change places, as shown before in the reconstruction Deportation Westerbork Film | 20210719 (REF 7).
The reels E325 and E198 with original film are followed by reels with restored duplicate films – omitting scenes already shown as original footage :
i) first, the 4 reels (acts) of the restored RVD film (REF 5);
ii) next, the so-called Unknown Westerbork Film Reel…F1014 (REF 8) starting with the Transport data animation at 02:03:31 ;
iii) and finally, the so-called Forgotten Westerbork Film Reel…F1015 (REF 9) starting at 02:11:53 with the Gevaert logo. Footage of the Religuous service on this F1015 reel was reported by Broersma and Rossing (REF 6) to be original film also .
CREDITS
Special thanks to researchers, authors, Koert Broersma, Gerard Rossing, and Aad Wagenaar, to curator Valentine Kuypers and her Sound & Vision colleagues Gerard Nijssen and others. The new Westerbork film project is a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.
Westerbork Film Shots Order | 20220511 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0
5 – Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2022 May 10) URL: https://wp.me/p91enH-1x
12 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Introduction by Michel van der Burg on the Westerborkfilm first showing May 7, 2022 in cinema METRO Kinokulturhaus , Vienna , Austria at the DOCUMENTS OF DESTRUCTION | DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial.
This introduction is now screening via YouTube , and embedded above.
Westerborkfilm with introduction – DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial
CREDITS & REFERENCES
Special thanks to Valentine Kuypers , curator at Sound and Vision, image researcher Gerard Nijssen, and the Westerbork Memorial Center researchers Bas Kortholt , Koert Broersma and Gerard Rossing. Aad Wagenaar, research journalist and author of book Settela.
Work on the 2021 Westerbork film edition has been a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.
The Westerbork film, May 7, 2022 at the symposium DOKUMENTE DER VERNICHTUNG of the Jüdischen Filmfestival Wien , the Mauthausen Memorial , and Filmarchiv Austria.
Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
Documentary film Settela, gezicht van het verleden by Cherry Duyns (VPRO, 1994).
De Westerborkfilm 📽️🎞️ | Nederlands Instituut voor Beeld & Geluid | YouTube Apr 8, 2021 URL https://youtu.be/8Y-A4BkWY18
Gerestaureerde filmbeelden Westerbork (1944) (May 18, 2021) Nederlands Instituut voor Beeld en Geluid | Youtube (accessed 2021 Jul 19) URL: https://youtu.be/-zCmr6PSNcI
Kamp Westerbork gefilmd (May 2021) Koert Broersma, Gerard Rossing (editor Gorcum B.V., Koninklijke van) ISBN 9789023257622.
‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen) ISBN 9023232658
Dawn Skorczewski & Bettine Siertsema (2018): ‘The kind of spirit that people still kept’: VHA testimonies of Amsterdam’s Diamond Jews, Holocaust Studies URL: https://doi.org/10.1080/17504902.2018.1516361
Diamantkinderen: Amsterdamse Diamantjoden en de Holocaust . Translated title of the contribution: Diamond Children: Amsterdam’s Diamond Jews and the Holocaust. Siertsema, Bettine (2020) Uitgeverij Verbum ISBN 9789493028340
Fabian Schmidt (2020): The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances, Historical Journal of Film, Radio and Television, URL : https://doi.org/10.1080/01439685.2020.1730033
Westerbork Film Scripts | 20220508 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film Correspondence | 20220509 | Michel van der Burg | Settela•Com | ISSN 2949-9313
ANONYM | Girl with the headscarf … | 20210416 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film 🎦 2021 | 20220302 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Display edition annotated online in CC.
Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Introduction by Michel van der Burg on the Westerborkfilm screening in METRO Kinokulturhaus , Vienna , Austria at the DOCUMENTS OF DESTRUCTION | DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial.
Westerbork Film 🎦 2021 | The complete remastered edition of the Westerbork Film , here annotated online in CC – by Michel van der Burg as an ongoing integrating resource.
The original display edition of the restored Westerbork film was edited only for black bar removal conform 4:3 format and insertion of a title card intro and outro. Annotations are added as CC – closed captions.
Source : digital display edition of the restored Westerbork film compilation made available in Public Domain by Sound and Vision from May 18, 2021. Courtesy of Collection NIOD held at the Netherlands Institute for Sound and Vision. Source File : Westerbork (gerestaureerd) | Display edition. Retrieved (20210518) PID: URN:NBN:NL:IN:20-ZCRLTUSICOSDILNR .
Credit line :
Westerbork Film 🎦 2021 | 20220302 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
Description & Introduction film
The Westerbork Film – a silent film – is unique…the only authentic documentary footage filmed in a Nazi camp – a waiting room for death in the Netherlands for more than 100,000 Jews, and Roma, Sinti, and resistance workers. A documentary filmed spring 1944, in the Westerbork camp, by the German-Jewish camp prisoner Rudolf Werner Breslauer – the camp photographer, and commissioned by camp commander, SS-Obersturmbannführer, Albert Konrad Gemmeker.
The Westerbork camp was set up in 1939 before the war in Holland, by the Dutch government, as a central refugees camp for Jewish refugees from Nazi-Germany.
July 1942 , when the Nazi’s decided to start ‘Entjüdung’ of the Netherlands, they took over the camp for use as transit camp for deportation of mainly Jews, and Roma, Sinti, and resistance people to eastern Europe.
March 2, 1944 , SS leader Rauter in the Netherlands reports to Germany’s SS Reichsführer Himmler : the Netherlands are ‘Judenfrei’. March 5, 1944 the camp is ‘Arbeitslager’ – a work camp – when
Rudolf Breslauer starts filming the daily life of the Westerbork prisoners. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The film is also not edited. In 1986 the dutch RVD Information Center makes a first montage in 4 acts of the footage into what is known now as the Westerborkfilm. In 2017 the film dossier – film and production documents – enter the UNESCO Memory of the World Register. Spring 2019 the Westerbork Film – full version (RVD) was published online and annotated – https://settela.com/2019/06/05/westerbork-film-full-version-rvd/ .
Spring 2019 the dutch Sound & Vision , EYE Filmmuseum and NIOD (former RIOD) started a major restauration project and search for all footage of the Westerbork film in all archives.
Two reels with original negative film were discovered by image researcher Gerard Nijssen.
All restored unique shots using both the camera original film and film copies (prints – when no original is known) were used for the new restored Westerbork film compilation made available as ‘display edition’ – with no title actually – by Sound and Vision | NIOD on May 18, 2021.
This newly restored 2021 version of the Westerbork film , 145 min long – was prepared for presentation here in 4:3 format (black bars removed) with a 6 seconds title card superimposed both at the start and the end of the film (superimposed on the originally 30 sec intro text and 17 sec outro text sections by Sound & Vision), in order not to change the length of the film – to allow exact reference to the original file’s timeline.
Westerbork Film 🎦 2021 | 20220302 was first uploaded March 2, 2022, and is now after annotation of the online film made public May 7, 2022 together with a short introductory film : Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | An introduction film by Michel van der Burg on the Westerbork film with a first showing May 7, 2022 in METRO Kinokulturhaus , Vienna , Austria at the DOCUMENTS OF DESTRUCTION | DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial.
Annotations
On YouTube called Chapters – there limited number due to limit number of characters in description
NOTE : for this shot right after the Degen toddlers, Breslauer had to move all the way back to last cars of the transport to Auschwitz – May 19, 1944 – E198 Roll 2/4
00:17:03 Outbound transport to Bergen-Belsen and Auschwitz – May 19, 1944 – Original Reel E198 Roll 2/4
00:17:49 Gemmeker group passing camera in the middle
00:17:55 Outbound transport to Bergen-Belsen and Auschwitz – May 19, 1944 – Original Reel E198 Roll 2/4
Original Reel E198 Roll 3/4
00:18:13 Outbound transport to Bergen-Belsen and Auschwitz – May 19, 1944 – Original Reel E198 Roll 3/4
00:18:51 On the right : SS-Obersturmführer Albert Gemmeker , Commander of Westerbork transit camp
00:18:56 Outbound transport to Bergen-Belsen and Auschwitz – May 19, 1944 – Original Reel E198 Roll 3/4
Special thanks to Valentine Kuypers , curator at Sound and Vision, image researcher Gerard Nijssen, and the Westerbork Memorial Center researchers Bas Kortholt , Koert Broersma and Gerard Rossing. Aad Wagenaar, research journalist and author of book Settela.
Work on the 2021 Westerbork film edition has been a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.
The Westerbork film, May 7, 2022 at the symposium DOKUMENTE DER VERNICHTUNG of the Jüdischen Filmfestival Wien , the Mauthausen Memorial , and Filmarchiv Austria.
Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
Documentary film Settela, gezicht van het verleden by Cherry Duyns (VPRO, 1994).
De Westerborkfilm 📽️🎞️ | Nederlands Instituut voor Beeld & Geluid | YouTube Apr 8, 2021 URL https://youtu.be/8Y-A4BkWY18
Gerestaureerde filmbeelden Westerbork (1944) (May 18, 2021) Nederlands Instituut voor Beeld en Geluid | Youtube (accessed 2021 Jul 19) URL: https://youtu.be/-zCmr6PSNcI
Kamp Westerbork gefilmd (May 2021) Koert Broersma, Gerard Rossing (editor Gorcum B.V., Koninklijke van) ISBN 9789023257622.
‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen) ISBN 9023232658
Dawn Skorczewski & Bettine Siertsema (2018): ‘The kind of spirit that people still kept’: VHA testimonies of Amsterdam’s Diamond Jews, Holocaust Studies URL: https://doi.org/10.1080/17504902.2018.1516361
Diamantkinderen: Amsterdamse Diamantjoden en de Holocaust . Translated title of the contribution: Diamond Children: Amsterdam’s Diamond Jews and the Holocaust. Siertsema, Bettine (2020) Uitgeverij Verbum ISBN 9789493028340
Fabian Schmidt (2020): The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances, Historical Journal of Film, Radio and Television, URL : https://doi.org/10.1080/01439685.2020.1730033
Westerbork Film Scripts | 20220508 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film Correspondence | 20220509 | Michel van der Burg | Settela•Com | ISSN 2949-9313
ANONYM | Girl with the headscarf … | 20210416 | Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film in ‘Proces Rauter’ 1948 (20190520) Michel van der Burg | Settela•Com | ISSN 2949-9313
Westerbork Film 🎦 2021 | 20220302 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Display edition film annotated online in CC
Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Introduction by Michel van der Burg on the Westerborkfilm screening in METRO Kinokulturhaus , Vienna , Austria at the DOCUMENTS OF DESTRUCTION | DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial.
20220511 Info on order of shots added in post Westerbork Film Shots Order | 20220511 . Based on that info , here the Annotations list now has sub-headings like ‘Original Reel E325′ etc.
20220604 – Format changes credit line , references
20230518 – Credits and references updated with ISSN
