Westerbork Film Shots Order

2022051120230518 ~ Settela•Com

Breslauer films Settela after Degen kids | Excerpt (20220510) from Westerbork Film 🎦 2021 | Michel van der Burg | Settela•Com | ISSN 2949-9313 – Click image for video clip (Link in REF 10).

The original deportation footage of the annotated 2021 Westerbork film (REF 1) provides insight into Breslauer’s way of filming.

Focussing on film roll 2 of the deportation reel it is evident that Breslauer — right after filming the toddlers Marc and Stella Degen (REF 11) in 3rd class carriage I at the front of the train ( 00:16:49 ) — for his next shot ( 00:16:52 ) went all the way to the rear of the train for a close-up of the 9-year-old Settela Steinbach in cattle car number 16 — with Romani and Sinti people bound for Auschwitz (REF 6,12).
Further note that the first shot that day also focusses on a child, here in cattle car #7 with Jewish people (REF 6) bound for Auschwitz (00:20:18 start of roll 4/4 of reel E198).

The 2021 Westerbork film as mentioned in the recently presented Westerborkfilm Introduction (REF 2) is the outcome of a thorough search that started Spring 2019 for all available film cans in the Dutch media archives of Sound & Vision and the EYE Filmmuseum. All restored unique shots using both the camera original film and film copies (duplicates – when no original is known) were used for the new restored Westerbork film compilation made available as ‘display edition’.

Sound & Vision curator Valentine Kuypers reported in her dutch blog 12 May 2021 (REF 3) that a total of 23 film cans were found, including 2 cans with camera-original negative film – a discovery , because before only reels with film duplicates (copies) were known with only a few minutes section of original footage (see below). For the new 2021 Westerbork film “a compilation of unique scenes in the highest quality was made. Eight films from the archives of Sound & Vision and Eye were used for the compilation, consisting of: 16 mm original negative, duplicate negative, duplicate positive and original reversal film. ” [my translation].
Digital restoration with a conservative approach was used to stabilize and reframe the images , deflicker , and remove dust, scratches, and visible splices (REF 4). The display copy for distribution was color graded and adjusted for the correct playback speed.

Examination of the Westerbork Film for annotation showed the film starts with the two newly discovered camera-original reels E325 and E198, resp.
The first reel (E325) has sections of footage shot at various work sites of the Westerbork camp — starting 00:00:29 and ending at 00:14:22 — that can be traced back in the 1986 RVD Westerbork Film duplicates Act 2 and Act 3 , listed with numbers 5 , 17 , 12 , 5, 18, 9, 10, 9, 10, 19, 20 resp. in the post (REF 5) Westerbork Film – full version (RVD). The last scene on this reel E325 – a newly discovered clip of a few seconds – is showing a soldier standing guard at the camp entrance.
Dutch researchers Koert Broersma and Gerard Rossing reported in their new book on the film (REF 6) that the footage on both reels – although original – has been cut — with reel E325 showing 7 splices. I wasn’t able to discover splices, probably because of the digital restoration. The next reel E198, however, with the deportation footage, clearly does show 2 of the 3 spices reported by Broersma and Rossing — these show up as white transitions in this digital display edition around 0:16:22 and 0:18:14 resp. The location of that 3rd splice that is no longer showing in this restored film could be traced with help of the image of that splice published in Broersma and Rossing ‘s book , page 110 (REF 6) – right after Gemmeker looking up , starting 00:20:18 .
Since the splices between the film rolls on this reel could be identified here , the film roll numbers 1 to 4 are specified in the annotations.

The display edition of this deportation footage shows the order of the rolls found on reel E198. For the correct chronological order clearly rolls 1 and 4 have to change places, as shown before in the reconstruction Deportation Westerbork Film | 20210719 (REF 7).

The reels E325 and E198 with original film are followed by reels with restored duplicate films – omitting scenes already shown as original footage :

i) first, the 4 reels (acts) of the restored RVD film (REF 5);

ii) next, the so-called Unknown Westerbork Film Reel…F1014 (REF 8) starting with the Transport data animation at 02:03:31 ;

iii) and finally, the so-called Forgotten Westerbork Film Reel…F1015 (REF 9) starting at 02:11:53 with the Gevaert logo. Footage of the Religuous service on this F1015 reel was reported by Broersma and Rossing (REF 6) to be original film also .

CREDITS

Special thanks to researchers, authors, Koert Broersma, Gerard Rossing, and Aad Wagenaar, to curator Valentine Kuypers and her Sound & Vision colleagues Gerard Nijssen and others. The new Westerbork film project is a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.

REFERENCES

3 – Restauratie Westerborkfilm (May 12, 2021) Valentine Kuypers | Sound & Vision (accessed 2021 Jul 19) URL: https://bit.ly/3kGteVs

4 – Restauratie De Westerborkfilm (Oct 2020) Paulo Veiga da Fonseca and Valentine Kuypers | Sound & Vision | Presentation AVA_Net Kennissessie. (accessed 2022 May 10) URL https://library.avanet.nl/ava_net-kenissessie-restauratie-van-de-westerborkfilm/

6 – Kamp Westerbork gefilmd (May 2021) Koert Broersma, Gerard Rossing (editor Gorcum B.V., Koninklijke van) ISBN 9789023257622. URL https://www.vangorcum.nl/product/100-392_Kamp-Westerbork-gefilmd

7 – Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2022 May 10) URL https://settela.com/2021/07/19/deportation-westerbork-film-20210719/

11 – Children of the Holocaust Who Are Anonymous No More | May 18, 2021 by Nina Siegal | The New York Times |
URL https://www.nytimes.com/2021/05/18/arts/children-of-the-holocaust-who-are-anonymous-no-more.html

12 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .

TAGS #chronological #order #Westerborkfilm #documentary #book #analysis #Westerbork #film #arbeitslager #transitcamp #Lagerfilm #industry #activity #scenario #Rudolf #Breslauer #Degen #toddler #original #footage #restauration #discussion #inventory #shot #scene #review #holocaust #barracks #children #concentration #camp #deportation #guard #Jew #DiamondJew #labor #machinery #Netherlands #railcar #Roma #Sinti #StarsofDavid #train #station #transitcamp #uniform #Westerbork #UNESCO #Settela #Gemmeker #Auschwitz #BergenBelsen #resistance #SoundVision #ValentineKuypers #GerardNijssen #KoertBroersma #GerardRossing #AadWagenaar #1Memo #SettelaCom #MiraclesMedia #michelvanderburg

Updates

20220604 – Minor changes references

20230518 – Credits and references updated with ISSN

Westerbork Film Correspondence

2022050920230518 ~ Settela•Com

SILENT FILM

Westerbork Camp

Spring 1944 a film is being made in the Westerbork camp, ordered and produced by camp commander SS-Obersturmführer Albert Gemmeker. Cameraman is the German Jewish prisoner Rudolf Breslauer – the camp photographer. In addition film scripts were made, but the film was never really finished or edited.

Westerbork Film Dossier

In 2017 the film dossier – with the film footage and production documents – enters the UNESCO Memory of the World Register (REF 1) . The final part of the UNESCO registry (Le film de Westerbork – édité le 8 mai 2017 – ID code 2016-118 ) lists all the documents on the Westerbork Film at the NIOD Institute for War, Holocaust and Genocide Studies (REF 2).
That NIOD archive file — called (translated) : Directing, texts and correspondence of the film “Westerbork” has been scanned and made available online. The file contains film scripts, title cards, and the correspondence on the film.

Westerbork Film

May 7, 2022 the latest edition of the Westerbork Film – a compilation of digitally restored footage – was posted with annotations as optional closed captions – CC (REF 3). In addition a short film ‘Westerborkfilm Introduction’ was posted (REF 4) that addresses briefly the history, context, and contents of the film dossier, camp and film crew, postwar route of the film footage, including a glimpse of the film plan, title cards and correspondence.

Production documents

Before , the title cards (REF 5) and the film scripts (REF 6) were posted.
All other production documents – a file with correspondence between the camp and the outside world on obtaining camera’s , film and film processing – are detailed chronologically here in this short silent film “Westerbork Film Correspondence | 20220509” .

CREDITS

TAGS #correspondence #filmplan #script #scenario #plan #NIOD #Westerborkfilm #documentary #Westerborkfilm #Westerbork #film #arbeitslager #Lagerfilm #industry #Rudolf #Breslauer #holocaust #barracks #concentration #camp #deportation #Jew #labor #machinery #Hollland #Netherlands #railcar #Roma #Sinti #tool #train #station #transitcamp #uniform #Westerbork #UNESCO #film #Settela #Gemmeker #Auschwitz #BergenBelsen #documentary #resistance #1Memo #SettelaCom #MiraclesMedia #michelvanderburg

REFERENCES

1 – UNESCO Memory of the World Register – Unesco.org – Mémoire du monde – Le film de Westerbork (accessed 20190605) URL http://www.unesco.org/new/fr/communication-and-information/memory-of-the-world/register/full-list-of-registered-heritage/registered-heritage-page-9/westerbork-films/

2 – NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17)
URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

6 – Westerbork Film Scripts | 20220508 | Michel van der Burg | Settela•Com | ISSN 2949-9313

7 – Kamp Westerbork gefilmd (May 2021) Koert Broersma, Gerard Rossing (editor Gorcum B.V., Koninklijke van) ISBN 9789023257622.

8 – Refugee Camp. Camp Westerbork Memorial Center. URL https://kampwesterbork.nl/en/history/second-world-war/refugee-camp

9 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .

10 – NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17) URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

Updates

20220604 – Format changes references

20230518 – Credits and references updated with ISSN

Westerbork Film Scripts

2022050820230518 ~ Settela•Com

SILENT FILM

Westerbork Film Plan
Spring 1944 a film is being made in the Westerbork camp, ordered and produced by camp commander SS-Obersturmführer Albert Gemmeker. A Film Plan propasal – 1.5 page – is written by his personal assistant the German prisoner Dienstleiter Heinz Todtmann – a journalist before WW2. Cameraman is the German Jewish prisoner Rudolf Breslauer – the camp photographer – who may have contributed to this filmplan too. In addition to the film plan , more detailed scripts were made with camera instructions and edit instructions. The film was never really finished or edited.

Westerbork Films Dossier

In 2017 the complete film dossier enters the UNESCO Memory of the World Register — including the film footage, the scripts, the drawn title cards, and the camp correspondence on the film (REF 1) . The final part of the UNESCO registry (Le film de Westerbork – édité le 8 mai 2017 – ID code 2016-118 ) lists all the documents on the Westerbork Film at the NIOD Institute for War, Holocaust and Genocide Studies.
That NIOD archive file — called (translated) : Directing, texts and correspondence of the film “Westerbork” consists of a file containing the original screenplay or script for the film, title cards, notes, correspondence and administration . That entire file has been scanned (total of 60 black and white scans) and is available online.

Westerbork Film

May 7, 2022 the complete remastered 2021 edition of the Westerbork Film – a compilation of digitally restored footage – was posted with annotations as optional closed captions – CC (REF 2) .

Westerborkfilm Introduction

May 7, 2022 also a short film ‘Westerborkfilm Introduction’ was posted (REF 3) that addresses briefly the history, context, and contents of the film dossier, camp and film crew, postwar route of the film footage, including a glimpse of the film plan, title cards and correspondence.

Title Cards

The title cards were posted in detail May 2021 (REF 4).

Film Scripts

Likewise now the film scripts (REF 5) are detailed in this short silent film Westerbork Film Scripts | 20220508 .

The correspondence will follow ( REF 6)

REFERENCES

5 – NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17)
URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

6 – Westerbork Film Correspondence | 20220509 | Michel van der Burg | Settela•Com | ISSN 2949-9313

7 – Kamp Westerbork gefilmd (May 2021) Koert Broersma, Gerard Rossing (editor Gorcum B.V., Koninklijke van) ISBN 9789023257622.

8 – Refugee Camp. Camp Westerbork Memorial Center. URL https://kampwesterbork.nl/en/history/second-world-war/refugee-camp

9 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .

CREDITS

Source : NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17) URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

Westerbork Film Scripts | 20220508 | Michel van der Burg | Settela•Com | ISSN 2949-9313 – CC BY 4.0

TAGS #filmplan #script #scenario #plan #NIOD #Westerborkfilm #documentary #Westerborkfilm #Westerbork #film #arbeitslager #Lagerfilm #industry #Rudolf #Breslauer #holocaust #barracks #concentration #camp #deportation #Jew #labor #machinery #Hollland #Netherlands #railcar #Roma #Sinti #tool #train #station #transitcamp #uniform #Westerbork #UNESCO #film #Settela #Gemmeker #Auschwitz #BergenBelsen #documentary #resistance #1Memo #SettelaCom #MiraclesMedia #michelvanderburg

Updates

20220604 – Format changes and update (in press) references

20230518 – Credits and references updated with ISSN

Westerbork Film Football Edit | Edition 2021

2021051720230518 ~ Settela•Com

Westerbork Film Football Edit | Edition 2021 | 20210517

SILENT FILM

The UNESCO – Memory of the World – ‘ Westerbork films’ dossier (REF 1) consists of both the actual film footage, as well as a dossier with the 1944 film plan, film script, title cards (intertitles), and a file with correspondence between the camp and the outside world on obtaining camera’s , film and film processing. That film footage was researched and presented before on Settela•Com.

In a recent post (Westerbork Film Intertitles | 20210515; REF 2) the drawings for the title cards were shown in a short film I made, that also showed a few seconds of Breslauer’s archive film footage demonstrating that not all of his Westerbork Film is a compilation of rushes only -he also had done some experiments filming and animating title cards. Aside from that, the film was not edited, and title cards were not yet inserted.

Today, working on presenting that 1944 film plan and script, I noticed in that editing script (all written in the German language) the instruction “Untertitel: ( in einen rollenden Fussball einkopiert ) Appelplatz am Sonntag Nachmittag.” , in English : ‘Subtitle: copied into a rolling football – roll call area on Sunday afternoon’. That is the text on one of these title cards I worked with, and I had seen Breslauer’s filming and slow-motion experiments with a rolling football, on that same F1014 reel that was used for his animation tests (REF 3). This has been described also in the 1997 dutch Westerbork film dossier analysis by Broersma & Rossing (REF 4) – a book I studied 2 years ago – and details I re-discovered later today. Tomorrow these authors will present a new edition (dutch), available later this month.
Breslauer never got the chance to try copying that title card on the rolling ball – I did today : a little digital experiment of copying that title card Appellplatz am Sonntag Nachmittag on the rolling ball. Just 4 seconds, repeated 4 times in this little film : Westerbork Film Football Edit.

TAGS #Westerborkfilm #animation #script #Appellplatz #1Memo #MiraclesMedia #michelvanderburg #Holland #Netherlands #CampWesterbork #Settela #RudolfBreslauer #UNESCO #NIOD #holocaust #intertitle #titlecard #titelkaart #documentary #file #drawing #Jew #Roma #Westerbork #remake #postproduction #postwar #edit

Below on website only – because of space and linking constraints on social media – the links, references, sources, credits :

References

2- Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2021 May 17) URL: https://wp.me/p91enH-3e

3 – Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2021 May 15) URL: https://wp.me/p91enH-2b

4 – ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658). Note, a new edition will be available May 2021 (editor Gorcum B.V., Koninklijke van; ISBN 9789023257622 ) – not yet published.

Notes : Both Appelplatz and Appellplatz are used in German and in script and title card

Credit

Thanks to ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658). Note, a new edition will be available May 2021 (editor Gorcum B.V., Koninklijke van; ISBN 9789023257622 )

Title card source : NIOD Institute for War, Holocaust and Genocide Studies | 250i Westerbork, Judendurchgangslager | 854 Stukken over de Westerbork-film, 7 maart – 20 april 1944 en z.d. | File retrieved May 23, 2019 from Nationaal Archief (last accessed 2021 Apr 17) URL https://www.archieven.nl/nl/search-modonly?mivast=298&mizig=210&miadt=298&micode=250i&milang=nl&mizk_alle=westerbork%20film&miview=inv2#inv3t2

Film footage source : Filmed by Rudolf Breslauer, retrieved from : Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2021 May 17) URL: https://wp.me/p91enH-2b

Updates

20220604 – Format changes credit line , references

20230518 – Credits and references updated with ISSN

Westerbork Film Intertitles

2021051520230518 ~ Settela•Com

Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•com

SILENT FILM

Westerbork Films Dossier

These Westerbork film documents – the film script etc – complement the Westerbork film footage presented earlier – a first full version (RVD) of the Westerbork Film posted in 2019 (20190605) and the complete UNESCO album of all known footage shot by inmate Werner Rudolf Breslauer in the Westerbork camp in 1944, posted early 2020 (REF 2).
The final part of the UNESCO registry (Le film de Westerbork – édité le 8 mai 2017 – ID code 2016-118 ) lists all the documents on the Westerbork Film at the NIOD Institute for War, Holocaust and Genocide Studies.
That NIOD archive file — called (translated) : Directing, texts and correspondence of the film “Westerbork” consists of a file containing the original screenplay or script for the film, title cards, notes, correspondence and administration . That entire file has been scanned (total of 60 black and white scans) and is available online.
More information on the history and origin of the film translated from the french UNESCO registration is posted later.

Title Cards

Here, in this short film, the title cards are presented. Title cards referenced in the UNESCO registry, and prepared in the camp in 1944 for the Westerbork film. The name of the artist drawing these cards is not known, I guess. Digital scans of 11 different letter cards were retrieved from the public online archive of the NIOD Institute for War, Holocaust and Genocide Studies at the dutch National Archive (Nationaal Archief) – full info in CREDITS.

Film Sections

In this film these title cards are used in different ways, shown in 5 sections. The arrangement of the cards was chosen by me.

1 : ‘ORIGINALS’ – TRANSLATION IN SUBTITLES – The first section shows english subtitles with the restored scan images of the orignal drawings made in Camp Westerbork. The restoration includes exposure adjustment, crop, and if necessary rotation and flip horizontal or vertical of the supplied scans.

2: NEGATIVES – The second section shows the same images, now as negatives (white on black), the way title cards are usually shown in movies, and Breslauer did too while working on the Westerbork Film – see below on section 4.

3) The 3rd sequence of the title cards shows the negatives again, now animated with cross-overs (fade in- and out) between the negatives.
Trickaufnahmen – trick shots – was mentioned in the film plan (discussed further in a later post). Trick shots like slow-motion and similar animation work by Breslauer is actually found on the Westerbork film reel F1014 with so-called ‘Residual material’. This was previously reported in the 1997 edition of the book ‘Kamp Westerbork gefilmd’ by Broersma & Rossing (REF 3). That reel’s footage, to me feels like this was Breslauer’s working material for tests – so a test reel, rather than rest reel.

4 : BRESLAUER’S 1944 ANIMATION TEST – This 4th segment shows the above discussed footage of Breslauer’s test work with a title card’s negative on film, as well as his animation of cards with numbers of ‘input’ and outgoing deportations. That animation uses drawings , images , not found in the NIOD archive – showing statistics for deportations to Bergen-Belsen 3029 , and Lager Vught 897 . This Westerbork film footage was retrieved from : Unknown Westerbork Film Reel…F1014 (20190616) Michel van der Burg | Settela•Com | ISSN 2949-9313 (REF 4).

5 : ANIMATION COLLAGE – Here I combined the animation made in section 3 of this film, with the 1944 animation footage of Breslauer – all edited here again to conform.

TAGS #Westerborkfilm #animation #titelkaart #1Memo #MiraclesMedia #michelvanderburg #Holland #Netherlands #CampWesterbork #Settela #RudolfBreslauer #UNESCO #NIOD #holocaust #intertitle #titlecard #documentary #file #drawing #Jew #Roma #Westerbork

References

2 – WESTERBORK FILMS COLLECTION – UNESCO ALBUM | 20200120 | Michel van der Burg | Settela•Com (accessed 2021 May 15) URL: https://settela.com/2020/01/20/westerbork-films-collection-unesco-album/

3 – ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658

4 – Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2021 May 15) URL: https://wp.me/p91enH-2b

Credit

Westerbork Film Intertitles | 20210515 | Michel van der Burg | Settela•Com | ISSN 2949-9313

Updates

20220604 – Format changes credit line , references

20230518 – Credits and references updated with ISSN

Unknown Westerbork Film Reel…F1014

2019061620230518 ~ Settela•Com

As discussed with the presentation of the full unedited Westerbork Film recently (Ref. 1), the collection of the film footage was started in 1946 by the ‘RIOD’ Rijksinstituut voor Oorlogsdocumentatie (National Institute for War Documentation).

According to the inventory of the RIOD from 1958 – when the film reels were handed over to the Nederlands Filmmuseum (Dutch Film Museum) – the Westerbork Film (https://youtu.be/8E-IWGjbGZM ) basically consisted of 9 film reels ; and that inventory also mentioned a 10th reel (‘reel 9a’) with scenes of a ‘church service’ and ‘disassembly workshop for motors’. That reel was never again mentioned after 1958, had disappeared, but was rediscovered in the Film Museum with catalog number F1015 during research in the 1990s (Ref. 2). That story and the footage F1015 ( https://youtu.be/-SmYdFLG5N8 ) was posted yesterday (Ref. 3).

That catalog of the Dutch Film Museum also mentioned a 2nd film reel (F1014) with hitherto unknown footage, described as in dutch ‘Restmateriaal, bevattende (o.a.) animatie met voetbal, voorstelling met muziek, het trekken van kiepwagens op rails met paarden. Afvalmateriaal, vermoedelijk origineel uitschot.’ – which translates to ‘Residual material, including (among other things) animation with football, performance with music, pulling tippers on rails with horses. Waste material, presumably original waste.’

Actually very interesting footage demonstrating that Rudolf Breslauer was filming the animation and intertitles (title cards) as listed in the film scenario (pore on that later in another post). Here that unedited (upscaled) footage of F1014.

References

2. ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen); ISBN 9023232658

Credit

EN – Unknown Westerbork Film Reel…F1014. Scaled, cropped, otherwise unedited footage F1014.
Source Beeld en Geluid (2-1167 | former cat.nr. F1014) , accessed at US Holocaust Memorial Museum (copy Film ID 2242 RG-60.2105 – License Free – Public Domain) , courtesy of Nederlands Instituut voor Beeld en Geluid. Footage filmed by Rudolf Breslauer in 1944.
Unknown Westerbork Film Reel…F1014 | 20190616 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0

Updates

20220604 – Format changes credit line , references

20230518 – Credits and references updated with ISSN