Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949-9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
The former Höhere SS- und Polizeiführer in the Netherlands, H.A. Rauter, must stand trial in The Hague for his crimes, which he committed in World War II. Hanns A. Rauter, an Austrian, was the highest SS official in Nazi-occupied Holland and was tasked with setting up the camps in Westerbork and other dutch cities, and the arrests , internment and deportation of Dutch Jews , Roma, Sinti, resistance workers, and other groups of Dutch people. Dutch cinema news March (week 14) 1948 (company : Polygoon Hollands Nieuws) . The sessions will take place on 1, 2, 3 and 22 April in the former palace on the Kneuterdijk in The Hague. The court is chaired by mr. P.G.M. van Meeuwen; attorney-at-law is mr. J. Zaayer; defender (added) is mr. K. van Rijckevorsel. SHOTS: – exterior Special Court building; – a long line of interested people stands in the rain in front of the public entrance and rushes in when the door opens; Rauter arrives, with guards, in a crook’s car in the courtyard; thick file under the arm; goes in; – interior of courtroom packed with audience: Rauter (in uniform without insignia) enters and sits down between two guards; judges enter; – session starts; Rauter makes a statement standing.
The trial news continues in the previously published film : Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Settela•Com | ISSN 2949-9313
De vroegere Höhere SS- und Polizeiführer in Nederland, H.A. Rauter, moet in Den Haag terechtstaan voor zijn misdaden, die hij beging in de Tweede Wereldoorlog. Weekjournaal van Polygoon Hollands Nieuws van week 14 uit 1948. De zittingen hebben, op 1,2,3 en 22 april plaats in het voormalige paleis aan de Kneuterdijk. Het hof staat onder voorzitterschap van jhr. mr. P.G.M. van Meeuwen; als procureur-fiscaal treedt op mr. J. Zaayer; als (toegevoegd) verdediger mr. K. van Rijckevorsel. Beeld: – ext. gebouw Bijzonder Gerechtshof; – een lange rij belangstellenden staat in de regen voor de publieke ingang en haast zich naar binnen als de deur open gaat; – Rauter arriveert, met bewakers, in een boevenwagen op de binnenplaats; dik dossier onder de arm; gaat naar binnen; – int. van een met publiek volgepakte rechtszaal: Rauter (in uniform zonder distinctieven) komt binnen en gaat – tussen twee bewakers – zitten; rechters komen binnen; – zitting begint; Rauter legt – staande – een verklaring af.
Het proces nieuws wordt vervolgd in de eerder gepubliceerde film : Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Settela•Com
Bron : Polygoon Hollands Nieuws / Sound & Vision (Open Beelden). License Info : SS Führer Rauter Trial Start 1948 | 20230127 | Settela•Com | ISSN 2949-9313 | TakeNode 3d48e3a5-2fc8-4d8d-ba8b-21c07d238570
Breslauer films Settela after Degen kids | Excerpt (20220510) from Westerbork Film 🎦 2021 | Michel van der Burg | Settela•Com | ISSN 2949-9313 – Click image for video clip (Link in REF 10).
The original deportation footage of the annotated 2021 Westerbork film (REF 1) provides insight into Breslauer’s way of filming.
Focussing on film roll 2 of the deportation reel it is evident that Breslauer — right after filming the toddlers Marc and Stella Degen (REF 11) in 3rd class carriage I at the front of the train ( 00:16:49 ) — for his next shot ( 00:16:52 ) went all the way to the rear of the train for a close-up of the 9-year-old Settela Steinbach in cattle car number 16 — with Romani and Sinti people bound for Auschwitz (REF 6,12).
Further note that the first shot that day also focusses on a child, here in cattle car #7 with Jewish people (REF 6) bound for Auschwitz (00:20:18 start of roll 4/4 of reel E198).
The 2021 Westerbork film as mentioned in the recently presented Westerborkfilm Introduction (REF 2) is the outcome of a thorough search that started Spring 2019 for all available film cans in the Dutch media archives of Sound & Vision and the EYE Filmmuseum. All restored unique shots using both the camera original film and film copies (duplicates – when no original is known) were used for the new restored Westerbork film compilation made available as ‘display edition’.
Sound & Vision curator Valentine Kuypers reported in her dutch blog 12 May 2021 (REF 3) that a total of 23 film cans were found, including 2 cans with camera-original negative film – a discovery , because before only reels with film duplicates (copies) were known with only a few minutes section of original footage (see below). For the new 2021 Westerbork film “a compilation of unique scenes in the highest quality was made. Eight films from the archives of Sound & Vision and Eye were used for the compilation, consisting of: 16 mm original negative, duplicate negative, duplicate positive and original reversal film. ” [my translation].
Digital restoration with a conservative approach was used to stabilize and reframe the images , deflicker , and remove dust, scratches, and visible splices (REF 4). The display copy for distribution was color graded and adjusted for the correct playback speed.
Examination of the Westerbork Film for annotation showed the film starts with the two newly discovered camera-original reels E325 and E198, resp.
The first reel (E325) has sections of footage shot at various work sites of the Westerbork camp — starting 00:00:29 and ending at 00:14:22 — that can be traced back in the 1986 RVD Westerbork Film duplicates Act 2 and Act 3 , listed with numbers 5 , 17 , 12 , 5, 18, 9, 10, 9, 10, 19, 20 resp. in the post (REF 5) Westerbork Film – full version (RVD). The last scene on this reel E325 – a newly discovered clip of a few seconds – is showing a soldier standing guard at the camp entrance.
Dutch researchers Koert Broersma and Gerard Rossing reported in their new book on the film (REF 6) that the footage on both reels – although original – has been cut — with reel E325 showing 7 splices. I wasn’t able to discover splices, probably because of the digital restoration. The next reel E198, however, with the deportation footage, clearly does show 2 of the 3 spices reported by Broersma and Rossing — these show up as white transitions in this digital display edition around 0:16:22 and 0:18:14 resp. The location of that 3rd splice that is no longer showing in this restored film could be traced with help of the image of that splice published in Broersma and Rossing ‘s book , page 110 (REF 6) – right after Gemmeker looking up , starting 00:20:18 .
Since the splices between the film rolls on this reel could be identified here , the film roll numbers 1 to 4 are specified in the annotations.
The display edition of this deportation footage shows the order of the rolls found on reel E198. For the correct chronological order clearly rolls 1 and 4 have to change places, as shown before in the reconstruction Deportation Westerbork Film | 20210719 (REF 7).
The reels E325 and E198 with original film are followed by reels with restored duplicate films – omitting scenes already shown as original footage :
i) first, the 4 reels (acts) of the restored RVD film (REF 5);
ii) next, the so-called Unknown Westerbork Film Reel…F1014 (REF 8) starting with the Transport data animation at 02:03:31 ;
iii) and finally, the so-called Forgotten Westerbork Film Reel…F1015 (REF 9) starting at 02:11:53 with the Gevaert logo. Footage of the Religuous service on this F1015 reel was reported by Broersma and Rossing (REF 6) to be original film also .
CREDITS
Special thanks to researchers, authors, Koert Broersma, Gerard Rossing, and Aad Wagenaar, to curator Valentine Kuypers and her Sound & Vision colleagues Gerard Nijssen and others. The new Westerbork film project is a joint effort of four dutch organizations : the Dutch media archive Sound & Vision, Camp Westerbork Memorial Centre , the NIOD Institute for War, Holocaust and Genocide Studies, and the Jewish Cultural Quarter in Amsterdam.
Westerbork Film Shots Order | 20220511 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0
5 – Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 (accessed 2022 May 10) URL: https://wp.me/p91enH-1x
12 – Settela, het meisje heeft haar naam terug (1995-2007) by Aad Wagenaar ISBN 9789089751898 / English translation by Janna Eliot ‘Settela’ (2005-2016) ISBN 978-0-9933898-2-5 .
The Westerbork Film – a silent film – is unique…the only authentic documentary footage filmed in a Nazi camp – a waiting room for death in the Netherlands for more than 100,000 Jews, and Roma, Sinti, and resistance workers. A documentary filmed 75 years ago, spring 1944, in the Westerbork transit camp, by the German-Jewish camp prisoner Rudolf Werner Breslauer, who had been working already some 2 years as a photographer in the camp. A ‘Kulturfilm’ commissioned by camp commander, SS-Obersturmbannführer, Albert Konrad Gemmeker, to convince the Gestapo headquarters of Westerbork’s vital production value.
The Westerbork camp had been set up by the Dutch government before the war in Holland, in 1939, as a central refugees camp for Jewish refugees from Nazi-Germany.
In 1942 , when the Nazi’s decided to start ‘Entjüdung’ of the Netherlands, they took over the camp and named it Polizeiliches Judendurchgangslager Westerbork , for use as central transit camp for deportation of mainly Jews, and Roma, Sinti, and resistance people to eastern Europe.
Rudolf Breslauer started filming March 1944 – around the same time the camp status changed to ‘Arbeitslager’. (Ref. 1)
This film on the daily life of the Westerbork prisoners was added in 2017 to the Memory of the World Register of Unesco. (Ref. 2)
Iconic is the image of Settela – the girl with the headscarf -between the wagon doors of the deportation train to Auschwitz.
These few seconds are shown in the 1 minute slow-motion film Settela at Settela•Com.
Images of the deportation train have been used in many documentaries over the years – such as our 2012 documentary ‘Transport XX to Auschwitz’.
Actually , however, the Westerbork film has as yet not been presented online or elsewhere as a full film – only in parts : as either Acte 1 , Acte 2 , Acte 3 , or Acte 4 for download or for streaming separately , either in low quality, small format (and generally just Acte 1) or with a rough overall edit (color-exposure grading) resulting in loss of details.
I therefore decided to first present the full film , all 4 episodes , unedited except for cropping black bars, as the : Westerbork Film ~ Full version RVD…and later focus on adaptations.
What is known as the Westerbork Film , actually is a simple montage of the available raw film footage – 9 reels of film – handed over by the (Dutch) Filmmuseum in 1986 to the Dutch National Centre for Information (the Rijksvoorlichtingsdienst, RVD).
The RVD conservator glued together these available fragments – and this ‘product’ in 4 parts (Acte 1 , Acte 2 , Acte 3 , and Acte 4) has become known as the “Westerbork film”.
Reels number 1 and 2 were glued together in ‘Acte 1’, reels 3 and 4 in Acte 2, reels 5 and 6 in Acte 3, and reels 7, 8 and 9 in Acte 4 (see below).
Conservation of footage
In the early years after the war, the Westerbork film footage travelled via different routes, roughly, in part leaving the camp with ex camp commander Gemmeker, and another part ‘directly’ from the camp … to land partly in the nearby Drents Museum and partly in eg. the Department of Justice and next finally in a collection started in 1946 in the ‘RIOD’ Rijksinstituut voor Oorlogsdocumentatie (National Institute for War Documentation) – now ‘NIOD’ – Institute for War, Holocaust and Genocide Studies.
The RIOD glued fragments together probably, and fragments were extracted too, and lent for use eg. in the 1948 trial against Rauter, the trial against Gemmeker, and for use in the 60s dutch TV series ‘De bezetting’ (The Occupation) presented by Loe de Jong (journalist, historian, and RIOD director from 1945-1979). For conservation this ‘RIOD film’ went on loan in 1958 to the Filmmuseum (now EYE Film Museum), and in 1986 the footage went to the RVD.
The RVD did not receive all footage from the Filmmuseum – the fragments extracted by the RIOD for use in the trials and TV series were lacking and two reels just remained in the Filmmuseum vault.
Tracing extracted fragments , and the discovery of new images
Reel D1596 – The 1948 Dutch Polygoon cinema news extracts were not all assembled back in the Westerbork film reels – see the recent post 20190520 ~ Westerbork Film in ‘Proces Rauter’ 1948 at Settela•Com .
Also , not all footage given on loan for that ‘Polygoon news’ ended up in that news item. That ‘Polygoon’ footage copied onto 35 mm film – both the used and non-used fragments – were kept in the Dutch Filmmusuem on a so-called reel number D1596.
Research published in the 1997 Dutch book ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658) traced the extracted film fragments, and further re-discovered film fragments with comparatively poorer quality on two reels – F1015 and F1014 (Ref. 1) :
Reel F1015 — F1015 (known till 1958 as reel 9a ; but actually the 10th reel of the Westerbork film) contains 9 scenes including 2 new scenes (not in the RVD Westerbork film): the religious service held March 5, 1944 in the Grote Zaal (Great Hall) and the scene of a woman on a ladder working on a signpost. This reel had remained in the Filmmuseum vault.
Reel F1014 seemed lost in the archives of the Filmmuseum and was denoted then ‘Afvalmateriaal/uitschot’ , that is ‘Trash’.
All footage is now kept at the Netherlands Institute of Image and Sound .
Below list of shots of the Westerbork Film (Ref. 3) :
Westerbork Act 1 (# 02-1167-01), 16 mm, silent, 21’05 “
– 1. Inbound transport from Amsterdam, March 1944: 1 min 37 sec.
– 2. Inbound transport from Vught, March 20, 1944: 2 min 09 sec.
– 3. Outbound transport to Bergen-Belsen and Auschwitz, May 19, 1944: 4 min 41 sec.
– 4. Aircraft disassembly, April / May 1944: 11 min 23 sec.
Westerbork Act 2 (# 02-1167-02), 16 mm, silent, 21’41 “
– 5. Disassembly of old batteries and manufacture of new batteries, April / May 1944: 3 min 03 sec.
– 6. Separation of layers of silver paper, April / May 1944: 1 min 22 sec.
– 7. Clothing factory, April / May 1944: 2 min 51 sec.
– 8. Toy factory, April / May 1944: 3 min 28 sec.
– 9. Furniture workshop, April / May 1944: 2 min 14 sec.
– 10. Metalworking shop / Forge, April / May 1944, 2 min 47 sec.
– 11. Manufacture of brushes, April / May 1944: 43 sec.
– 12. Shoemaking, April / May 1944: 1 min 38 sec.
– 13. Manufacture of handbags, April / May 1944: 1 min 09 sec.
– 14. Manufacture of soles and gloves, April / May 1944: 33 sec.
– 15. Weaving and repairing stockings, April / May 1944: 1 min 25 sec.
Westerbork Act 3 (# 02-1167-03), 16 mm, silent, 18’03 “
– 16. Cufflinks factory, April / May 1944: 1 min 16 sec.
– 17. Clothing factory, April / May 1944: 32 sec.
– 18. Laundry / ironing, April / May 1944: 1 min 18 sec.
– 19. Medical laboratory, April / May 1944: 45 sec.
– 20. Dental Clinic, April / May 1944: 25 sec.
– 21. Unloading construction materials for barracks / unloading mine carts with bricks, April / May 1944: 1 min 33 sec.
– 22. Construction greenhouse , installation and watering plants, April / May 1944: 1 min 46 sec.
– 23. By narrow gauge train to Oranjekanaal / jetty pile driving / unloading cargo ship with bricks / loading mine carts / return to camp, April / May 1944: 4 min 33 sec.
– 24. Visit to the camp farm, April / May 1944: 4 min 39 sec.
Westerbork Act 4 (# 02-1167-04), 16 mm, silent, 21’30 “
– 25. Visit camp farm (continued), April / May 1944: 2 min 30 sec.
– 26. Return / visit agriculture / plowing and planting potatoes, April / May 1944: 4 min 20 sec.
– 27. Arrival camp / unloading mine carts with bricks, April / May 1944: 1 min. 20 sec
– 28. Construction purification plant, April / May 1944: 52 sec.
– 29. Felling and sawing trees near Assen, April / May 1944: 4 min 50 sec.
– 30. Religious service in the Great Hall, March 5, 1944: 6 sec.
– 31. Football match at the roll call area (Appellplatz), April / May 1944: 2 min 04 sec.
– 32. Women exercising, April / May 1944: 1 min.
– 33. Revue night – ‘Bunter Abend’ – in the Great Hall, April / May 1944: 4 min 05 sec.
Rudolf Breslauer and family
Rudolf Breslauer (1904-1944) was in Westerbork for over two and a half years with his wife Bella Weismann, daughter Ursula, and sons Mischa and Stephan.
In Sep 1944 they were transported to Auschwitz via Theresiënstadt, and murdered in the gas chamber, except Ursula who survived the war and went to Israel in 1948, where she and her husband Chaim Moses set up their own company. Her name has since been Chanita Moses – she has children and many grandchildren.
FR (French)
Le film de Westerbork (Ref. 3, 4)
Durant le printemps 1944, le déporté juif Rudolf Breslauer a immortalisé dans un film le quotidien du camp de transit de Westerbork. La fonction de Westerbork était de rassembler des Juifs romani et néerlandais pour le transport vers des camps de concentration nazis. Le film a été commandé par le commandant du camp allemand Albert Gemmeker. Gemmeker voulait produire un film professionnel visant à montrer la valeur économique du camp.
Breslauer a filmé les déportations qui avaient lieu le mardi vers d’autres camps de concentration, mais la plupart des images dépeignent des ‘instants de normalité’ tels que des hommes et des femmes en bonne santé travaillant dans des ateliers ou faisant du sport, des enfants à l’école, ou des scènes se déroulant à l’hôpital, au cabaret et même lors d’une messe à l’église. Bien que le film de Westerbork n’ait jamais été achevé, la plupart des séquences brutes ont été conservées.
Des extraits de ce film ont été largement utilisés dans des documentaires, films et autres actualités filmées depuis 1948. Les séquences montrant les déportations et tout particulièrement celle où l’on voit une jeune Sinté, Settela Steinbach, observant l’objectif à travers les portes d’un wagon, sont devenues emblématiques du programme d’extermination systématique mis en place par les nazis.
Les scènes du Westerbork film sont listées ci-dessous :
Westerbork Acte 1 (# 02-1167-01), 16 mm, muet, 21’05 “
– 1. Transport entrant d’Amsterdam, mars 1944: 1 min 37 sec.
– 2. Transport entrant de Vught, 20 mars 1944: 2 min 09 sec.
– 3. Transport sortant vers Bergen-Belsen et Auschwitz, le 19 mai 1944: 4 min 41 sec.
– 4. Démontage d’avion, avril / mai 1944: 11 min 23 sec.
Westerbork Acte 2 (# 02-1167-02), 16 mm, muet, 21’41”
– 5. Démontage de piles anciennes et fabrication de nouvelles piles, avril / mai 1944: 3 min 03 sec.
– 6. Séparation des couches de papier d’argent, avril / mai 1944: 1 min 22 sec.
– 7. Atelier de confection vêtement, avril / mai 1944: 2 min 51 sec.
– 8. Usine de jouets, avril / mai 1944: 3 min 28 sec.
– 9. Atelier de meubles, avril / mai 1944: 2 min 14 sec.
– 10. Atelier de travail des métaux / Atelier de forgeron, Avril / Mai 1944, 2 min 47 sec.
– 11. Fabrication de brosses, avril / mai 1944: 43 sec.
– 12. Atelier de fabrication de chaussures, avril / mai 1944: 1 min 38 sec.
– 13. Fabrication de sacs en cuir, avril / mai 1944: 1 min 09 sec.
– 14. Fabrication de semelles et de gants, avril / mai 1944: 33 sec.
– 15. Tissage et réparation de bas, avril / mai 1944: 1 min 25 sec.
Westerbork Acte 3 (# 02-1167-03), 16 mm, muet, 18’03”
– 16. Fabrication de boutons de manchette, avril / mai 1944: 1 min 16 sec.
– 17. Atelier confection, avril / mai 1944: 32 sec.
– 18. Blanchisserie / repassage, avril / mai 1944: 1 min 18 sec.
– 19. Laboratoire médical, avril / mai 1944: 45 sec.
– 20. Clinique dentaire, avril / mai 1944: 25 sec.
– 21. Déchargement de matériels pour la construction de baraques / déchargement de wagonnets de mine avec des briques, avril / mai 1944: 1 min 33 sec.
– 22. Construction d’une serre et l’installation et l’arrosage des plantes, avril / mai 1944: 1 min 46 sec.
– 23. Par train à voie étroite à Oranjekanaal / construction de jetée / déchargement d’un cargo avec des briques / chargement des wagonnets de mine / retour au camp, avril / mai 1944: 4 min 33 sec.
– 24. Visite à la ferme du camp, avril / mai 1944: 4 min 39 sec
Westerbork Acte 4 (# 02-1167-04), 16 mm, muet, 21’30”
– 25. Visite à la ferme du camp (suite), avril / mai 1944: 2 min 30 sec.
– 26. Retour / visite de l’agriculture / labourer et planter des pommes de terre, avril / mai 1944: 4 min 20 sec.
– 27. Retour au camp / déchargement de briques des wagonnets de mine, avril / mai 1944: 1 min 20 sec.
– 28. Construction de l’installation de purification, avril / mai 1944: 52 sec
– 29. Abattre et scier des arbres près d’Assen, avril / mai 1944: 4 min 50 sec.
– 30. Service religieux dans la Grande Salle, 5 mars 1944: 6 sec.
– 31. Match de football sur la place d’appel (Appellplatz), avril / mai 1944: 2 min 04 sec.
– 32. Femmes faisant de l’exercice, avril / mai 1944: 1 min.
– 33. Soirée Revue – Bunter Abend – dans la Grande Salle, mars/avril 1944: 4 min 05 sec.
NL (dutch)
Hieronder de scènes van de Westerbork film (Ref.3) :
Westerbork Akte 1 (# 02-1167-01), 16 mm, zonder geluid, 21’05 “
– 1. Binnenkomend transport vanuit Amsterdam, maart 1944: 1 min 37 sec.
– 2. Binnenkomend transport vanuit kamp Vught, 20 maart 1944: 2 min 09 sec.
– 3. Uitgaand transport naar Bergen-Belsen en Auschwitz, 19 mei 1944: 4 min 41 sec.
– 4. Vliegtuig demontage, april / mei 1944: 11 min 23 sec.
Westerbork Akte 2 (# 02-1167-02), 16 mm, zonder geluid, 21’41 “
– 5. Demontage oude batterijen en productie nieuwe batterijen, april / mei 1944: 3 min 03 sec.
– 6. Scheiden van lagen zilverpapier, april / mei 1944: 1 min 22 sec.
– 7. Confectiebedrijf, april / mei 1944: 2 min. 51 sec.
– 8. Speelgoedfabriek, april / mei 1944: 3 min. 28 sec.
– 9. Meubelmakerij, april / mei 1944: 2 min. 14 sec.
– 10. Bankwerkerij / smederij, april / mei 1944, 2 min 47 sec.
– 11. Borstelmakerij, april / mei 1944: 43 sec.
– 12. Schoenmakerij, april / mei 1944: 1 min. 38 sec.
– 13. Tassenmakerij, april / mei 1944: 1 min. 09 sec.
– 14. Zolen en handschoenen vervaardigen, april / mei 1944: 33 sec.
– 15. Kousen weven en reparatie, april / mei 1944: 1 min. 25 sec.
Westerbork Akte 3 (# 02-1167-03), 16 mm, zonder geluid, 18’03 “
– 16. Manchetknopen fabriek, april / mei 1944: 1 min. 16 sec.
– 17. Kleermakerij, april / mei 1944: 32 sec.
– 18. Wasserij / strijkerij, april / mei 1944: 1 min. 18 sec.
– 19. Medisch laboratorium, april / mei 1944: 45 sec.
– 20. Tandheelkundige kliniek, april / mei 1944: 25 sec.
– 21. Lossen bouwmateriaal barakken / lossen lorries met bakstenen, april / mei 1944: 1 min. 33 sec.
– 22. Bouw broeikas / plantjes in kweekkas zetten en sproeien, april / mei 1944: 1 min. 46 sec.
– 23. Tocht met smalspoor treintje naar Oranjekanaal / heien van aanlegsteiger / lossen vrachtschip met stenen / lorries laden / terugkeren naar kamp, april / mei 1944: 4 min 33 sec.
– 24. Bezoek aan de kampboerderij, april / mei 1944: 4 min. 39 sec.
Westerbork Akte 4 (# 02-1167-04), 16 mm, zonder geluid, 21’30 “
– 25. Bezoek kampboerderij (vervolg), april / mei 1944: 2 min. 30 sec.
– 26. Terugkeren / bezoek akkerbouw / ploegen en aardappelen poten, april / mei 1944: 4 min. 20 sec.
– 27. Aankomst kamp / lossen van lorries met bakstenen, april / mei 1944: 1 min. 20 sec.
– 28. Bouw zuiveringsinstallatie, april / mei 1944: 52 sec.
– 29. Kappen, vellen, zagen van bomen in de buurt van Assen, april / mei 1944: 4 min. 50 sec.
– 30. Religieuze dienst in de Grote Zaal, 5 maart 1944: 6 sec.
– 31. Voetbalwedstrijd op de appèlplaats, april / mei 1944: 2 min. 04 sec.
– 32. Gymnastiek dames, april / mei 1944: 1 min.
– 33. Revue avond – Bunter Abend – in de Grote Zaal, maart/april 1944: 4 min 05 sec.
References
1 ‘Kamp Westerbork gefilmd’ by Koert Broersma and Gerard Rossing (editors Dirk Mulder and Ben Prinsen; ISBN 9023232658
2. Unesco.org – Memory of the World – Westerbork films
(accessed 20190605)
3. Gerard Rossing and Koert Boersma, Kamp Westerbork Gefilmd (1997), pp. 86-88.
EN – ‘Westerbork Film’ , montage of the Westerbork reels 1-4 (RVD cat. 02-1167-01, 02-1167-02, 02-1167-03, 02-1167-04 courtesy of Nederlands Instituut voor Beeld en Geluid | OpenImages). Footage filmed by Rudolf Breslauer in 1944 , Camp Westerbork, Netherlands.
Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
FR – ‘Westerbork Film’, montage des bobines Westerbork 1 à 4 (RVD cat. 02-1167-01, 02-1167-02, 02-1167-03, 02-1167-04) grâce à Nederlands Instituut voor Beeld en Geluid | OpenImages). Images filmées par Rudolf Breslauer en 1944, Camp Westerbork, Pays-Bas.
Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
NL – ‘Westerbork Film’ , montage van de Westerbork aktes 1-4 (RVD # 02-1167-01, 02-1167-02, 02-1167-03, 02-1167-04 met dank aan het Nederlands Instituut voor Beeld en Geluid | OpenBeelden). Gefilmd door Rudolf Breslauer in 1944 , Kamp Westerbork, Nederland.
Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
Updates
20190605 – Updates including the other footage and more information will follow in both this post and new posts on the Settala.com site.
20190607 – French section added with Unesco introductory text plus ‘Les scènes du Westerbork film…’ ; references modified ; credits FR translation.
20190610 – Dutch section added with list of scenes based on Ref 3.
20190611 – Corrections language/translations all lists of scenes NL/EN/FR
20220604 – Format changes credit lines, and title change
First time use of Westerbork film in 1948 in Dutch cinema news (Polygoon Hollands Nieuws) of the trial in The Hague of Hanns A. Rauter, an Austrian who was the highest SS official in Nazi-occupied Holland and who was tasked with setting up the camps in Westerbork and other dutch cities, and the arrests , internment and deportation of Dutch Jews and other groups of Dutch people , Roma, Sinti, resistance workers.
The chairman of the court is mr. P.G.M. van Meeuwen; attorney-at-law is mr. J. Zaayer, defender (added) is mr. K. van Rijckevorsel.
Rauter – before leaving the courtroom – speaks: ‘Ich habe mich niemals schuldig gefühlt’ (I never felt guilty).
The next year Rauter was executed by firing squad nearby the The Hague – Scheveningen prison. Polygoon weekly cinema news April 1948, Netherlands.
Source film : Polygoon Hollands Nieuws / Nederlands Instituut voor Beeld en Geluid (Open Images).
Film: Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
NL (dutch)
Westerbork Film in ‘Proces Rauter’ 1948
De eerste keer dat de Westerbork film wordt gebruikt , in 1948, in het Nederlandse bioscoopnieuws (Polygoon Hollands Nieuws) van het proces in Den Haag van Hanns A. Rauter, een Oostenrijker die de hoogste SS-functionaris was in het door de nazi’s bezette Nederland en die belast was met het opzetten van de kampen in Westerbork en andere Nederlandse steden, en de arrestaties, internering en deportatie van Nederlandse Joden en andere groepen Nederlanders, Roma, Sinti, verzetsmensen.
Voorzitter van het hof is jhr. mr. P.G.M. van Meeuwen; procureur-fiscaal is mr. J. Zaayer; verdediger (toegevoegd) is mr. K. van Rijckevorsel.
Rauter – voor het verlaten van de rechtszaal – zegt: ‘Ich habe mich niemals schuldig gefühlt’ (Ik heb me nooit schuldig gevoeld).
Het jaar daarop (1949) werd Rauter geëxecuteerd door een vuurpeloton in de buurt van de gevangenis van Den Haag – Scheveningen. Polygoon Weekjournaal April 1948, Nederland.
Bron film : Polygoon Hollands Nieuws / Nederlands Instituut voor Beeld en Geluid (Open Images).
Film: Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
Settela peeks outside the death train to Auschwitz. Last glance at the outside world for the 9-year-old Dutch Sinti girl Settela Steinbach just before these cattle car doors close , and this death train heads for Auschwitz on May 19 , 1944. Anna Maria ‘Settela’ Steinbach peeks outside , at the last moment just before the sliding door is closed , standing inside a freight wagon with 74 people on May 19 , 1944 in the Westerbork concentration camp in Holland (75 people the moment the train leaves), when this deportation train leaves for Auschwitz-Birkenau – where Settela is murdered a few months later in one of the gas chambers. Here she wears a headscarf made from a torn sheet, because the Nazis had her head shaved , and while Settela peeks outside , her mother cries behind her in the car : “Get out of there, or soon your head gets in between!” She was filmed by the Jewish prisoner filmmaker Rudolf Breslauer as part of a documentary film being made on the Westerbork camp. In 2017 two other short films of this moment were made (20170721 and 20170725michelvanderburg•com). Today 75 years later — on the occasion of making Settela•Com public, in this first publication the online premiere of a new 1 minute slow-motion film (4:3 format) , made using the original Westerbork 1944 film rushes of Rudolf Breslauer from the archive of the Netherlands Institute for Sound and Vision. Citation : Settela | Settela•Com | 20190519 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
NL (dutch)
Settela | Settela•Com
Settela gluurt naar buiten in de dodentrein naar Auschwitz. Laatste blik op de buitenwereld voor het 9-jarige Nederlandse Sinti-meisje Settela Steinbach, op 19 mei 1944, vlak voordat de schuifdeuren van die goederenwagon dicht gaan en die dodentrein naar Auschwitz vertrekt. Anna Maria ‘Settela’ Steinbach gluurt naar buiten, op het laatste moment vlak voordat de schuifdeur wordt gesloten, staand in een goederenwagon met 74 mensen op 19 mei 1944 in concentratiekamp Westerbork in Holland (75 mensen op het moment dat de trein vertrekt), wanneer deze deportatietrein gaat vertrekken naar Auschwitz-Birkenau – waar Settela enkele maanden later in een van de gaskamers wordt vermoord. Hier draagt ze een hoofddoek gemaakt van een gescheurd laken, omdat de nazi’s haar hoofd hebben geschoren, en terwijl Settela naar buiten gluurt, roept haar moeder achter haar in de wagon daar weg te gaan … ‘straks komt je kop er nog tussen’. Ze werd gefilmd door de Joodse gevangene, filmmaker Rudolf Breslauer, als onderdeel van een documentaire over het kamp Westerbork. In 2017 werden nog twee andere korte films gemaakt van dit moment (20170721 en 20170725michelvanderburg•com). Vandaag 75 jaar later — ter gelegenheid van het publiek maken van Settela•Com in deze eerste publicatie, de online première van een nieuwe 1 minuut slow-motion film (4:3 formaat), gemaakt met de originele Westerbork 1944 film rushes van Rudolf Breslauer uit het archief van het Nederlands Instituut voor Beeld en Geluid. Citation : Settela | Settela•Com | 20190519 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
Updates
20190611 – First post ‘Settela’ ( posted first 20170721 at michelvanderburg•com ) now included / antedated to this site , link 20170721
20220604 – Format changes title, heading, credit line
20221115 — Minor changes last paragraph in both EN and NL sections.
The 9-year-old dutch Sinti-girl Anna Maria ‘Settela’ Steinbach peeks outside , at the last moment just before the sliding door is closed , standing inside a freight wagon with 74 people on May 19 , 1944 in the Westerbork concentration camp in Holland , when this deportation train leaves for Auschwitz-Birkenau – where Settela is murdered a few months later in one of the gas chambers. Here she wears a headscarf made from a torn sheet, because the Nazis had her head shaved , and while Settela peeks outside , her mother cries behind her in the car : “Get out of there, or soon your head gets in between!” She was filmed by the jewish prisoner filmmaker Rudolf Breslauer as part of a documentary film being made on the Westerbork camp. More info here http://romasinti.eu/#story/settela-steinbach In this short film I start with a slow-motion (10x) of the 3 seconds clip, followed by the unedited clip from the Westerbork 1944 film rushes / Rudolf Breslauer / Netherlands Institute for Sound and Vision (Open Images).
Credit Edited from Westerbork Acte 1 (02-1167) raw footage courtesy of Nederlands Instituut voor Beeld en Geluid | OpenImages. Camera : Rudolf Breslauer, 1944, Westerbork, Netherlands .
Film: Settela | 20170721 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 .
